Many authors contend that the perception of 2-D drawings of a 3-D object is governed by polar projective geometry. A problem for this position is that observers accept parallel projections, which are not produced with polar projective geometry, as accurate representations of 3-D objects. In Experiments 1 and 2, we used two different standards of comparison to study the perceptions of three line drawings of cubes-correct polar projections of cubes with subtenses of 15°and 35 0, and a parallel projection-at five different angular subtenses. In Experiment 1, 14 observers judged each drawing when it subtended about 35 0, 15°, 5°, 4°, and 2°in width. Subjects used an 8-point rating scale to compare each drawing with a correct polar projection of a cube subtending 35 0, viewed with the drawing subtending 150. As predicted, both polar projections had their highest ratings at their correct vantage points. Ratings for the parallel projection were highest at small angular subtenses and decreased when it subtended 35 0. These findings were supported by a second experiment in which the 15°polar projection was set at a 5°viewing angle as a standard. In Experiment 3, 15 observers compared the three drawings, viewed at a second set of angular subtenses (30°,35°,40°,45°, and 50°), with a standard, the 35°polar set at 45°. Ratings fell with increases in viewing angle, and the parallel projection was rated lowest. The results indicate that parallel projections are assessed as polar projections that are correct for objects at a small angular subtense. Furthermore, projections at a small angular subtense are robust; that is, they are acceptable over a wide range of angular subtenses. We suggest that robustness can be explained by the modest variability in the proportions of pictures of cubes subtending small angles.An important problem for the study of the perception of pictures lies in explaining how accurate impressions of three-dimensional (3-D) scenes can occur through the viewing of 2-D pictures. Here, we will examine two projection systems that have been used extensively to create 2-D pictures-polar projection and parallel projection. In polar projection drawings, lines representing edges that recede from the viewer converge on the picture surface and, if extended, would meet at vanishing points. In parallel projection drawings, lines representing parallel, receding edges are drawn as parallel on the page.Objects project light to a vantage point, creating an optic array at the point, in what is called natural perspective.