A representação do migrante clandestino no cinema contemporâneo: Efeitos e cenas de fronteira

Schurmans, Fabrice

doi:10.4000/rccs.5814

rccs

2014

DOI: 10.4000/rccs.5814

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A representação do migrante clandestino no cinema contemporâneo: Efeitos e cenas de fronteira

Fabrice Schurmans¹

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Cited by 3 publications

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Muzyka bez granic

Golemo

2019

Politeja

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Music without Borders: Portuguese Fado in a Multicultural Space In 2011 fado was added to the UNESCO Intangible Cultural Heritage List, but much before it started to function as a Portugal’s music trade mark. Fado lovers believe that it is a reflection of the Portuguese soul. The genre can be traced to the 19th century’s poor districts of Lisbon (Alfama, Mouraria), however some ethnomusicologists increasingly emphasize its earlier African‑Brazilian origins. For more than two hundred years of its existence, fado passed through different phases of development, reaching diverse public, first in Portugal and then abroad. In times of the dictatorship Antonio Salazar’s regime tried to influence fado by introducing censorship and specifying rigid rules of performance. The aim of this article is to show the evolution of the Portuguese fado and its modern interpretations, resulting from the fusion of this genre with other forms, such as bossa nova, jazz, folk, pop, or tango. This blurring and softening of the music boundaries is illustrated with the example of surprising connections between fado and Angolan, Capeverdean, Andalusian, Brazilian or Jewish music. The principal argument of the article is the idea that nowadays fado exceeds many borders: the limits of social groups, cultural and ethnic areas, countries and music genres.

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Muzyka bez granic

Golemo

2019

Politeja

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Migrar é preciso: as questões ambientais e as migrações na produção de um curta em um curso de pedagogia

Brandão

Morais

Toja

2020

REMEA

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A migração é uma das questões globais que atingem todos os países no mundo, pois a mobilidade humana acontece desde sempre em nosso planeta e seguirá acontecendo. As razões para tais movimentações são inúmeras – guerras, perseguições políticas, étnicas etc. Nesse artigo visamos à migração em função das razões climáticas que alguns chamam de “migrações ambientais”. Interessa-nos, em especial, aquelas provocadas pela seca no nordeste brasileiro, causando “êxodos rurais”. A busca por melhores condições de vida e de trabalho teve como destino principalmente o sudeste, deixando uma marca cultural da presença desses nordestinos no sudeste e um importante fio na rede de ‘conhecimentossignificações’ cotidianos. Estes são evidenciados na produção de um curta com estudantes de pedagogia de uma universidade da capital fluminense.

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Nowi Katalończycy. Tożsamość i integracja społeczno-kulturowa dzieci imigrantów w Barcelonie

Golemo¹

2017

Pogranicze

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A representação do migrante clandestino no cinema contemporâneo: Efeitos e cenas de fronteira

Cited by 3 publications

References 6 publications

Muzyka bez granic

Muzyka bez granic

Migrar é preciso: as questões ambientais e as migrações na produção de um curta em um curso de pedagogia

Nowi Katalończycy. Tożsamość i integracja społeczno-kulturowa dzieci imigrantów w Barcelonie

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