A study of the aspect of identity in the aesthetic domain of Priangan Batik, from the old Priangan Batik to the present day Priangan Batik, in relation to the constellation change of its aesthetic elements. It considers various impacts of modernity, enriching batik through its ornaments, themes, colors, composition, techniques, and naming to the characteristics of each of the Priangan Batik production areas. Priangan Batik has also been influenced by other cultures. When its local know-how and spirit are traced back in its various forms and dimensions, we can find a reflection of the aesthetic cultural identity of the Priangan community. It has experienced cultural transformation diachronically as well as synchronically, and at the same time adopted elements from various new cultures, including the modern paradigm as well as commercial culture. In the 20 th century, batik activity developed in the following Priangan areas: Ciamis, Tasik, and Garut. The development of batik in these areas has expanded it to incorporate a number of values within the dimensions of meaning, principles, and goals. Also, it has been influenced by the heterogeneity Indonesian culture within the constellation of modern aesthetics.
Penelitian ini dilatarbelakangi oleh kondisi sentra kerajinan keramik Sitiwinangun di Kecamatan Jamblang Kabupaten Cirebon yang produknya saat ini semakin menurun baik secara kualitas maupun kuantitas. Keadaan ini merupakan hal yang ironis mengingat sentra tersebut memiliki potensi sumber daya alam, manusia dan budaya yang cukup kuat. Tujuan penelitian ini adalah untuk mengembangkan produk kerajinan keramik Sitiwinangun melalui pemanfaatan budaya tradisi lokal sebagai penguatan identitas dan basis pengembangan produknya. Penelitian ini menggunakan pendekatan budaya dan estetika melalui teori morfologi estetik dan metode ATUMICS dengan tahapan identifikasi, analisis, pengembangan desain, aplikasi desain dan evaluasi. Hasil dari penelitian ini berupa produk keramik yang lebih modern dalam bentuk karya seni, hias dan fungsi dengan identitas budaya tradisi lokal Cirebon. Budaya tradisi dalam konteks konservasi dan revitalisasi kerajinan keramik secara umum dapat menjadi alternatif sebagai basis pengembangan dan penguatan identitas lokal produknya.Kata kunci : budaya, cirebon,keramik, sitiwinangun, tradisi.
Pangandaran is known as one of many famous tourist destinations in West Java Province that possesspotential beautiful natural marine resources. This coastal area which streches 91 km and has sloping steeprocky beaches. Grows overabundant pandan (pandanus tectorius) plants, however conditions are verydamaged and there is no concern for good governance from the local government. This research aims toproduce eminent products of craft in supporting tourism by increasing the natural resources potentialand the local craftsmen resources from the surrounding areal environment. This article is result of appliedresearch in a type of practice-led research with a focus on the creative industries of craft products thatsupport tourism through the eco-design and eco-tourism approach. This research uses design-thinkingmethod, with Participation Action Research (PAR) approach and the Hexa Helix system. The result is aeminent product prototypes and start up business of craft art creative industries that support eco-designand eco-tourism park.Keywords: Creative Industry, Pangandaran Area, Pandan-based Craft, EcotourismABSTRAKPangandaran dikenal sebagai salah satu destinasi wisata di Provinsi Jawa Barat yang memilikipotensi alam laut yang indah. Wilayah pantai membentang sepanjang 91 km terdiri dari kawasanpantai pasir yang landai dan pantai berbatu curam. Di wilayah Pangandaran banyak ditumbuhitanaman pandan (pandanus tectorius), namun kondisinya sangat rusak dan tidak ada kepeduliaantata kelola yang baik dari pemerintah setempat. Penelitian ini bertujuan menghasilkan produkprodukseni kriya unggulan daerah untuk menunjang pariwisata dengan mengangkat potensisumber daya alam dan sumber daya perajin dari lingkungan masyarakat setempat. Artikel inimerupakan salah satu hasil penelitian terapan jenis practice-led research dengan fokus industrikreatif produk seni kriya yang mendukung pariwisata melalui pendekatan eco-design dan ecotourism.Penelitian ini menggunakan metode design thinking, dengan pendekatan ParticipationAction Research (PAR) dan sistem Hexa Helix. Hasil dari penelitaian ini berupa prototipe produkunggulan dan terwujudnya start up-start up bisnis industri kreatif seni kriya pendukungekowisata berbasis kawasan.Kata Kunci: Industi Kreatif, Kawasan Pangandaran, Kriya Pandan, Ekowisata
Batik is a traditional textile art of Indonesia, in which through its appearance we may excerpt the customs, traditional values, way of life, spiritual meanings, and cultural characteristics of Indonesian people. Previous researches on batik have-for the most part-uncovered and elaborated batik as a solely artifact of art, distancing its relation with those who use it. As results, most of batik research tends to frame batik as an object of preservation and do not elaborate more on the context of batik as an object of perception (of users) or batik as an object of consumption. To address this issue, the paper explores perceptual identification of batik users using semantic differential method, evaluating actual users' perception on the element of colors applied on clothes of West Javanese batik as object of study. The obtained data will be crossreferenced to identify gender and subject-experience variables. The implication of the findings for the creative process and marketability of batik will be discussed, in hoping to gain applicable knowledge for the preservation as well as new development of West Javanese batik design.
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