This review integrates diverse characterizations of creativity from a sociological perspective with the goal of reinvigorating discussion of the sociology of creativity. We start by exploring relevant works of classical social theory to uncover key assumptions and principles, which are used as a theoretical basis for our proposed definition of creativity: an intentional configuration of cultural and material elements that is unexpected for a given audience. Our argument is enriched by locating creativity vis-à-vis related concepts—such as originality, knowledge, innovation, atypicality, and consecration—and across neighboring disciplines. Underlying the discussion are antecedents (structure, institutions, and context) and consequences (audiences, perception, and evaluation), which are treated separately. We end our review by speculating on ways in which sociologists can take the discussion of creativity forward. Expected final online publication date for the Annual Review of Sociology, Volume 46 is July 30, 2020. Please see http://www.annualreviews.org/page/journal/pubdates for revised estimates.
Continuing the emerging tradition of the Knowledge and Innovation (K&I) Interest Group at the Strategic Management Society (SMS) Conference to interview foundational scholars in strategic management, we invited Professor Michael Tushman from Harvard Business School (HBS) as our guest of honor this year. The interview provided a rare opportunity to get behind the scenes of the author's much celebrated scholarly contribution to the field as well as his responses to some of the new findings within and across his work over time.
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