La sociedad 5.0 o sociedad superinteligente es un concepto propuesto en 2016 por el gobierno de Japón, el cual plantea que, para el 2030, la sociedad gire nuevamente en torno a la humanidad (Fukuyama, 2018).
De acuerdo con este concepto, las personas de esta sociedad podremos vivir activa y confortablemente en un entorno económico y social de alta calidad, gracias a un entrelazamiento del mundo digital con el físico (Fukuyama, 2018).
Resumen En este artículo analizamos tres formas en que la materialidad y el hacer textil artesanal interfieren en la manera en que nos relacionamos con el diseño de tecnologías digitales. Primero, la forma en que lo textil sostiene lo digital, revelando redes de trabajo y cuidado que soportan el diseño de tecnologías. Segundo, los modos en que el hacer textil transforma los lenguajes del diseño en ingeniería, permitiendo que las dimensiones afectivas de éste emerjan. Y tercero la forma en que las temporalidades del hacer textil ralentizan valores de eficiencia y productividad propios de la ingeniería.
Abstract. This paper presents a project for the social development of ICTs, which used a participatory design approach and sought to have a high social impact on a community of craftswomen (embroiderers from Cartago, Colombia). Participating in this project implied active dialogue with the community to recognize the knowledge of each participant and achieve culturally relevant representations materialized in technological artifacts. We posit dialogue, representation and recognition as key elements for developing successful participatory design. In practice, this was achieved through an iterative, incremental and open-ended methodology, whose main feature was engagement by doing. This process of design allowed engineers to recognize the craftswomen's traditional knowledge and allowed craftswomen to be less afraid of technology. The main resultant artifact was a tangible user interface that facilitates dialogue between fashion designers and embroiderers in the process of designing new embroidery patterns. This and other artifacts that emerged from the activities and dialogues, the level of engagement of the participants, and the convergence points discovered between embroidery and technology, lead us to conclude that the process presented here can be replicated with other craft communities, to reinforce these communities and assist them in generating innovation in their processes and products.
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