The New Languages

Effects of Local-Market Radio Ownership Concentration on Radio Localism, the Public Interest, and Listener Opinions and Use of Local Radio

“…In formulating policy, regulators and lawmakers should consider Carpenter's (1999) In highlighting the current lack of such insight, DiCola (2006) stated, "We can only speculate . .…”

Theory of a Human Ecology of Communication: empirical evidence of the Internet consumption ecosystem in Ecuador

“…It is important to remark the significant contributions made by the following thinkers: Carpenter and McLuhan's (1956) studies on the new mass language radio, television and newspapers; Eisenstein (1983) and Havelock's (1981) studies of print culture with its revolutionary model for the interpretation of Western philosophy; Langer's (1967) symbolism; Ellul's (1970) ecology of politics; Innis ' (1999) studies of communication as a decisive determinant of society; Postman's (1988) critics to education, technology effects and media ecology; and Mumford's (1967) urgency of humanization of technique. In general, they all affirm that media forms its own ecosystems according to the human ecology in which they develop: for example, the film industry, the artistic culture, news information system, institutional, civic and political communication, and social networks on the Internet.…”

“…Nonetheless, exogenous cultural elements contemplate the global dynamics of communication, evidenced in media consumption habits, and derived from multiculturalism media pressures, causing a cultural globalization (Carpenter & McLuhan, 1956). The process of acculturation is measurable in media, political and economic agendas and in the structural features of the new information society.…”

Tolerance as the precondition of intercultural cooperation and modern education

“…Медијска писменост учи разумијевању специфичних симболичких језика појединих медија. То су нови језици који дјелују у саставима националних језика -филм, радио, телевизија, штампа -а њихова нам је граматика непозната (Carpenter, 1991). Ти језици комбинују музику и умјетност, језик и гест, реторику и боју, преферирајући симултаност визуелних и аудитивних слика.…”