2014
DOI: 10.1386/cjcs.6.1.75_1
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New fictional constructions of masculinity in love relationships: A case study of the Catalan TV series Porca Misèria

Abstract: Our research utilizes a gender studies perspective in the context of television fiction research to investigate the models of the forms of masculinity and relationships that arise through the analysis of the Catalan TV series Porca Misèria/Pig Misery (Joan 2004). The methodology followed is to carry out a quantitative and qualitative textual film analysis of the male characters based on a scale, in order to evaluate the components of the love relationships. The conclusion that emerges provides four different m… Show more

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Cited by 4 publications
(4 citation statements)
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“…What is still a representation of a social model of aggressive and dominant masculinity (Connell, 2005;Lomas, 2003) is accompanied by a glorification of the romantic ideology (Allen, 2007), so the viewer ends up interpreting Culebra's abusive behaviour as an example of true love, thus leaving the real victim exposed (Cantera et al, 2009;Díaz-Aguado, 2013;Rodríguez-Castro et al, 2013a). Here, we see that the gender stereotypes presented in the series, dominant masculinity and submissive femininity (Aran-Ramspott et al, 2014), are reinforced by the way the audience interprets the series. The audience does not break away from or criticize these representations; instead it reinforces them through its comments.…”
Section: Justifying Frustrationmentioning
confidence: 75%
“…What is still a representation of a social model of aggressive and dominant masculinity (Connell, 2005;Lomas, 2003) is accompanied by a glorification of the romantic ideology (Allen, 2007), so the viewer ends up interpreting Culebra's abusive behaviour as an example of true love, thus leaving the real victim exposed (Cantera et al, 2009;Díaz-Aguado, 2013;Rodríguez-Castro et al, 2013a). Here, we see that the gender stereotypes presented in the series, dominant masculinity and submissive femininity (Aran-Ramspott et al, 2014), are reinforced by the way the audience interprets the series. The audience does not break away from or criticize these representations; instead it reinforces them through its comments.…”
Section: Justifying Frustrationmentioning
confidence: 75%
“…Lastly, as shown in Table 1, participants were asked about their degree of (dis)agreement with items related to various stereotypes (and antistereotypes) regarding gender and romantic love, based on the results of previous studies and which stress the importance of romantic love for youth (Aran-Ramspott, Medina-Bravo, Rodrigo-Alsina, & Munté-Ramos, 2014;de Miguel, 2015).…”
Section: Mcs -Masculinities Andmentioning
confidence: 99%
“…The analysis of love-related emotions in television fictional series is a growing field of study, especially in Spain, as evidenced by some researchers (Aran-Ramspott et al, 2014;Galán, 2007). Following on from these works, as well as Williams' (1975) structure of feeling (pp.…”
Section: Building and Appropriating Emotionsmentioning
confidence: 99%
“…Following on from these works, as well as Williams' (1975) structure of feeling (pp. 64-65), we have developed (Medina et al, 2007) a three-pronged theoretical model for the analysis of TV series (Aran-Ramspott et al, 2014). In this study, 1 we are particularly interested in the relationship established by young Spanish viewers in response to audiovisual texts presenting loving relationships.…”
Section: Building and Appropriating Emotionsmentioning
confidence: 99%