Konstruksi Jilbab sebagai Simbol Keislaman

Abstract

Veil usage is not only just a matter of fashion style. Moreover, veils symbolize many great values in Islamic tradition. No wonder if veil-or jilbab-are commonly found in many places, including campus, among students as well as lecturer. This research aimed to investigate the motivation of the girls in wearing jilbab. Using phenomenology approach to know more about subjectivity meanings constructed between research subjects, the research has finally revealed some motivations among the girls in wearing jilbab. There are three motives in wearing jilbab as found among Unisba's students: theological motive, psychological motive, and fashionable motive. Such motive further implied on three different identities constructed by research subjects: Phenomenal Moslem Students, Fashionable Moslem Students, and Tolerant Moslem Students.

The Analysis of Integration between Hijab Concept and Fashion in Indonesia

“…Then, in 1991 the Government of Indonesia issued a decree No. 100 which allows the use of hijab in every educational institution [11]. Since then, the rate of Muslim women who wore the hijab was increased and it was not only in the Education sector, but also the Muslim women in another sector included the celebrities.…”

“…It was divided into two groups, first group eager to return to Islam and the second group was the thesis of the first group. The second group treated the hijab as a form of expression for Muslimah to be look trendy and fashionable meanwhile at the same time they fulfill religious orders [11].…”

Jilbab dan Reproduksi Identitas Mahasiswi Muslimah di Ruang Publik

“…Anjuran pemakaian Jilbab di lingkungan lembaga pendidikan baru dimulai pada tahun 1991, ketika pemerintah mengeluarkan SK No. 100 tentang pembolehan penggunaan jilbab di setiap lembaga pendidikan (Ahmadi & Yohana, 2007). Setelah itu, Jilbab boleh dipakai oleh perempuan muslimah tanpa ada larangan baik di sekolah maupun di kampus-kampus.…”

Telaah Literatur Tentang Dakwah Di Indonesia

“…Menurut kami, industri busana muslim adalah salah satu artefak yang menarik ditelaah karena mempertemukan doktrin 'menutup aurat' dengan institusi pasar, dunia fashion yang inovatif, dan konsumerisme. Di luar artikel sampel yang ditelaah, topik ini baru dikaji beberapa peneliti, misalnyaAhmadi & Yohana (2007) danRatri (2011). Karya seni lainnya, misalnya komik, video pendek, dan animasi flash juga perlu mendapatkan serius dari para peneliti dakwah di Indonesia.Dari sisi isi dan tujuannya pesannya, mayoritas pesan dakwah bersifat eksklusif dan substansi pesan tidak lari dari perihal aqidah, ibadah, dan akhlak.…”