Investigating the genesis of translated films: a view from the Stanley Kubrick Archive

An overview of audiovisual translation: Four methodological turns in a mature discipline

“…Case studies seem to be ideal in cultural studies. The latter tend to be particular studies focused on the big issues of the Cultural Turn: the concepts of ideology, otherness, post-colonialism, power, resistance, patronage, censorship, genetic analysis (Richart Marset, 2012Marset, , 2015Zanotti, 2018, bringing to light the documented archive generated in each stage and the ideological moves behind each version), intentional use of multilingualism, identity, gender, and more recently gender stereotypes, among others, now receive scholarly attention, after being widely ignored throughout the research phase in the translation process (1990s) and in descriptive studies, which focused mainly on the translation product (2000s). Researchers preferred to establish an uncompromised debate on translation norms, but rarely went beyond the reason for those norms, and scarcely questioned the actual reasons behind norms and translation techniques.…”

Five things you wanted to know about audiovisual translation research, but were afraid to ask

“…Being a young discipline, AVT and its history are still under-researched with plenty of space to look into archive material (Díaz Cintas, 2018;Gromová & Janecová, 2013;O'Sullivan & Cornu, in press;Zanotti, 2018). More research is also needed in the area of AVT andgender (De Marco, 2012, 2016;Fasoli, Mazzurega, & Sulpizio, 2016;Feral, 2011), multilingualism (Heiss, 2004;Meylaerts, 2013;O'Sullivan, 2011;Remael, 2012;Szarkowska, Żbikowska, & Krejtz, 2013), AVT corpora (Baños, Bruti, & Zanotti, 2013;Prieels, Delaere, Plevoets, & De Sutter, 2015;Reviers, Remael, & Daelemans, 2015) or ideology, manipulation and censorship (Bucaria, 2017;Díaz Cintas, 2012;Dwyer, 2009;Hołobut, 2012;Kruger, 2012;Rashid, 2016;Scandura, 2004;Wang & Zhang, 2016).…”