Ageing, Popular Culture and Contemporary Feminism 2014
DOI: 10.1057/9781137376534_1
|View full text |Cite
|
Sign up to set email alerts
|

Introduction: Popular Culture’s ‘Silver Tsunami’

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
3
1
1

Citation Types

0
13
0
1

Year Published

2015
2015
2019
2019

Publication Types

Select...
5
1

Relationship

0
6

Authors

Journals

citations
Cited by 13 publications
(14 citation statements)
references
References 2 publications
0
13
0
1
Order By: Relevance
“…It is clear that older people are not part of popular media representations; however, some scholars (Whelehan and Gwynne 2014) argue that the media industry has recently begun targeting seniors and thus elderly people are being portrayed more often. Nonetheless, ageing either is not represented or is depicted in a very narrow and stereotypical way.…”
Section: Representing Ageing and Gendermentioning
confidence: 99%
See 3 more Smart Citations
“…It is clear that older people are not part of popular media representations; however, some scholars (Whelehan and Gwynne 2014) argue that the media industry has recently begun targeting seniors and thus elderly people are being portrayed more often. Nonetheless, ageing either is not represented or is depicted in a very narrow and stereotypical way.…”
Section: Representing Ageing and Gendermentioning
confidence: 99%
“…Sex and the City can be viewed as television content constructing a representation around the notion of agelessness (for example, in the way the characters are cast and represented), but at the same time it also complicates this notion in some episodes. The shame of ageing or the denial of ageing is questioned in some episodes and seen as part of the celebration of youth in our contemporary consumer culture (Woodward 2006;Whelehan and Gwynne 2014). This masking of ageing is often signified by a discourse around "girls. "…”
Section: Masking Ageingmentioning
confidence: 99%
See 2 more Smart Citations
“…I understand films as polyphonic cultural products that participate in societal discussion of age by reinforcing and challenging prevalent understandings and by recycling and creating new. The theoretical reference points for my analysis are located in discussions on older women, in cultural narratives and portrayals of age and aging in popular culture (Chivers, 2011; Dolan and Tincknell, 2012; Swinnen and Stotesbury, 2012; Whelehan and Gwynne, 2014). By investigating non-Hollywood and non-Anglophone films, this article adds to existing studies on representations of older women and the ways in which global and local influences conflate in them.…”
Section: Introductionmentioning
confidence: 99%