Queer television studies scholarship tends to construct "queerness" and "normality" as incommensurable concepts, defining queer "against the normal rather than the heterosexual." In this article, we show how this construction is specifically intertwined with highly liberalized media contexts, and generates a fundamentally static understanding and operationalization of the concept of normality in queer television studies. Turning to Flemish television fiction of the late 1990s, we point to a dynamic and open-ended approach toward sexual and gender diversity, and illustrate how televised normality itself can be a queer phenomenon. In doing so, we offer a framework to understand the proliferation of LGBT+ characters and storylines in twenty-first-century Flemish television fiction, and contribute to a nuanced understanding of the dynamics of normalization and television fiction in a western European television industry.
This inquiry shows how youths negotiate sexualities and gender when commenting on profile pictures on a social networking site. Attention is given to (1) how discourses are constituted within heteronormativity, and (2) how the mediated nature of the SNS contributes to resistance. Using insights from cultural media studies, social theory and queer criticism, representations in SNSs are viewed as sites of struggle. A textual analysis is used to show how commenting on a picture is a gendered practice, continuously cohering between the biological sex, performative gender and demanded desire. Although significant resignifications are found, they are often accompanied by a recuperation of heteronormativity. Therefore, this inquiry argues for continued attention to current contradictions in (self-) representations.
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