Identifikasi Simbol-Simbol Heritage Keraton Kasepuhan

Agustina, Ina Helena; Hindersah, Hilwati; Asiyawati, Yulia

doi:10.29313/ethos.v5i2.2346

Cited by 8 publications

(10 citation statements)

References 0 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…According to oral tradition, the lotus engraving was made by Sunan Gunung Jati symbolizing Huyyunilarahin (life without spirit). The lotus symbol ubiquitous presence is seen in the buildings inside Keraton Kasepuhan (Agustina, 2017). There are also 3 floor tiles that have special markings associated to their traditional value.…”

Section: The Mosque As a Symbol Of Paradox In Micro Spacementioning

confidence: 99%

Exploring the Heritage Value of Space in Sang Cipta Rasa Mosque, Keraton Kasepuhan

Agustina¹

2017

MIMBAR, Jurnal Sosial dan Pembangunan

Self Cite

View full text Add to dashboard Cite

Sang Cipta Rasa Mosque is an integral part of Keraton Kasepuhan incorporated within the area as a whole. The Keraton Kasepuhan itself is located in Cirebon City. Heritage value is an aesthetic value, history, scientific work, and social-spiritual value derived from the long history of historical places (Kalman;2014;200). Sunan Gunung Jati is a historical figure in the spread of Islam as well as a King in Cirebon. “Sang Cipta Rasa” Mosque is a place that becomes a milestone in the spread of Islam by Sunan Gunung Jati. The Mosque is not only a place of worship mandatory for Moslems but also as a place of spiritual awakening of the ummah (Agustina; 2015;2016). The spatial viability of the mosque through periods of civilizational changes is a phenomenon subjected as the main interest of this research. This research is part of writer’s desertation research using Husserl’s phenomenology method implemented in Keraton Kasepuhan. This paper is written as a continuation of the aforementioned previous research, resulting in an in-depth exploration concerning the aesthetic values of spatial symbol of the mosque. The purpose of this paper is to explore the heritage value in Sang Cipta Rasa Mosque. The finding of the exploration is a construction of perceived heritage value of both macro and micro space of Sang Cipta Rasa Mosque.

show abstract

Section: The Mosque As a Symbol Of Paradox In Micro Spacementioning

confidence: 99%

Exploring the Heritage Value of Space in Sang Cipta Rasa Mosque, Keraton Kasepuhan

Agustina¹

2017

MIMBAR, Jurnal Sosial dan Pembangunan

Self Cite

View full text Add to dashboard Cite

show abstract

“…The similarity with the past symbol of the palace is a manifestation of the authority of the king, thus in the past, the palace was considered to have supernatural powers. This is what Agustina, 2017 makes a king in the past is considered to have the power of the macrocosm (Universe) and microcosm (the life of the people). Thus the king has a central symbol in the control of the welfare of his people.…”

Section: Discussionmentioning

confidence: 99%

“…The Illustration Space of the Palace Source: Agustina, 2017 Both the palace when examined the space system is to follow the pattern of the arrangement of Mount Mahameru. The king's residence is at the highest peak.…”

Section: Discussion From Tangible Space To Intangible Space In Kanomamentioning

confidence: 99%

“From Tangible Space to Intangible Space“ Kanoman Palace and Kacirebonan Palace

Agustina

2017

JSISCH

Self Cite

View full text Add to dashboard Cite

Physical space or called tangible spaces are spaces that can be physically captured by the senses while nonphysical or intangible space is a space that is not caught by the senses. Anthropological research argues that the first 'double built' space is a physical building and the second is a result of interpretation of taste and imagination (Gieryn, in Short, 2015). Kanoman palace and Kacirebonan palace is a palace located in the city of Cirebon. The two palaces not only physically still have the form of a palace building but also still have mystics believed by the community as an integral part of human life. The purpose of this paper is to show tangible space and intangible space in both palaces as part of the meaning of the palace. The method used is the research method of Husserl phenomenology and conducting the review literature from the results of the themes that appear especially space in both palaces. The result shows that these two palaces have different spatial arrangements and different building arrangements but the direction of the northward winds into the sacred position of the palace. The position is related to the position of the tomb of Sunan Gunung Jati as an ancestor and founder of the palace in Cirebon. The position is manifested as intangible space palaces in Cirebon.K eywords: tangible space, intangible space, kanoman palace, kacirebonan palace.

show abstract

“…The Java Kingdom spatial layout consists of 5 layers of hierarchy (Santoso 2008). The position of the layer structure was further transformed with the entry of Islam (Agustina, Hindersah, and Asiyawati 2017). It is illustrated in figure 3 below.…”

Section: Java Kingdom Spatial Layoutmentioning

confidence: 99%

The basic concept of baluwarti Cirebon palace, Study case of Kasepuhan, Kanoman and Kacirebon Palace

Lestari

Salura

Fauzy

2021

ARTEKS J. Tek. Arsit.

View full text Add to dashboard Cite

Cirebon is a unique city with 3 palaces, including Kasepuhan, Kanoman, Kacirebonan. The palaces are influenced by the history and culture of the Baluwarti palace, which is believed to have specific concepts in the arrangement and placement of building masses. This study examines the concepts underlying Baluwarti in the 3 Cirebon palaces. This is achieved by first studying the basis of Palace's trust rules used to regulate the mass placing of the palace building. Subsequently, the study uses an architectural anatomical theory consisting of the building site and scope, and the property-composition theory to explore the orientation and position of the Palace building. The results showed that the concept underlying Baluwarti in the 3 Cirebon palaces consists of Javanese and Sundanese cosmologies as building orientation, the type of land on which it was built, and Mahameru and the building position. This research contributes to the general architecture in the uniqueness of historical, cultural and local values. Also, it provides architectural information regarding the concepts underlying Baluwarti in the 3 Cirebon palaces.

show abstract

Identifikasi Simbol-Simbol Heritage Keraton Kasepuhan

Abstract: Abstract. The regulations regarding to the

Cited by 8 publications

References 0 publications

Exploring the Heritage Value of Space in Sang Cipta Rasa Mosque, Keraton Kasepuhan

Exploring the Heritage Value of Space in Sang Cipta Rasa Mosque, Keraton Kasepuhan

“From Tangible Space to Intangible Space“ Kanoman Palace and Kacirebonan Palace

The basic concept of baluwarti Cirebon palace, Study case of Kasepuhan, Kanoman and Kacirebon Palace

Contact Info

Product

Resources

About