Diversifikasi Desain Produk Sentra Keramik Dinoyo Bersumber Ide Budaya Lokal Malang

Abstract

Ceramic craft in Sentra Keramik Dinoyo of Malang has been produced in more or less four generations long. In the beginning, local crafters made potteries in traditional kitchenware. The increasing demand of consumer made room for decorative ceramic. Unfortunately, their product design development didn't reflect local culture nuance. It because crafters weren't able to develop the design. Through this activity, researcher tried to solve design problem, extracted from local culture as ceramic creation idea. So that local culture could appear as local ceramic characters. Ceramic product design development is done by formulating design concept, manifesting concept into product design image. Design image result then tested to design expert. The product design image then improved. This design improvement then manifested into ceramic product prototype. This development produced a unique design, one of them is ceramic with 'Kendi Garuda Kamandalu' (teapot) from Kidal Temple's reliefs theme.

Implikasi Tata Kelola Produksi terhadap Kualitas pada Gerabah Desa Pagelaran Kabupaten Malang Jawa Timur

“…Sungguhpun keberadaan sentra produksi gerabah di Desa Pagelaran ini telah tumbuh di awal abad XX, Menurut ayah Sutrisno, sentra gerabah Pagelaran sudah tumbuh sejak tahun 1930an. Hal itu benar-benar menjadi pusat produksi gerabah tradisional di Malang (Ponimin et al, 2019). Namun mulai tahun 1970-an, produksi gerabah di Desa Pagelaran mulai terasa penurunan, banyak mendapatkan saingan yang ketat dengan produk gerabah dari Yogyakarta dan Bali, namun di tingkat pasar lokal, produk gerabah dari Desa Pagelaran masih diminati, seperti yang dilakukan oleh keluarga Sukirno, pada saat ini masih tetap dapat memproduksi gerabah tradisional di berbagai pasar di Malang (Koniherawati & Harjani, 2019).…”

Integrated Linkages to the Sustainability of Dinoyo Ceramic Village, Malang

“…Previous research on ceramic business is very limited, for example research (Purwanto, 2015;Jamaludin, 2017;Ponimin, 2018) which still focuses on the artistic aspect of ceramics and has not discussed related to increasing business sustainability. Empirical facts also explain that the decline in demand and competition with cheap ceramics is a serious problem for the sustainability of Dinoyo Ceramics.…”

Appreciation and Creation in Ceramic Art Learning as a Form of Cultural Preservation for Students of Tk Pandeyan 2 Sukoharjo in Surakarta Residency

“…Through practical work, appreciation grows necessarily as a result of consideration and comprehension of the process of the work in terms of uniqueness of the techniques, materials, and etc. Through the work of art, various considerations of the techniques used by the creators in the process of making the work of art can be perceived (Ponimin, 2009). Working with the medium of ceramic or clay will certainly provide a different sensation from using the medium of stone or wood, although both types of media can be used to create works of art.…”