Diversification of ceramic craft for tourism souvenir: local culture as art creation and production idea

Ponimin, Ponimin

doi:10.31763/viperarts.v3i1.276

Cited by 5 publications

(4 citation statements)

References 26 publications

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“…Tahapan metode kreatif meliputi eksplorasi ide, merancang karya, merumuskan teknik, penciptaan karya, dan analisis karya (Ponimin: 2021). Pembahasan mengenai setiap tahapan metode kreatif yaitu sebagai berikut: (1) eksplorasi ide konsep motif batik: peneliti melakukan perumusan ide dan konsep motif batik Topeng Jatiduwur mengacu pada sumber ide dengan mempertimbangkan aspek artistik dan fungsi pada motif berkaitan dengan isen-isen dan ornamen yang mengangkat ciri khas Jombang (2) eksplorasi desain dan teknik, peneliti melakukan perancangan karya melalui eksplorasi visual desain dengan membuat beberapa sketsa alternatif yang nantinya akan diseleksi dipilih enam karya terbaik dan menentukan teknik produksi dengan digital printing (3) proses kreatif mewujudkan motif batik, peneliti melakukan perwujudan karya batik printing khas Jombangan.…”

Section: Metodeunclassified

Kreasi Motif Batik Dengan Teknik Printing Khas Jombangan Dari Inspirasi Topeng Jatiduwur

Sakinah

Sidyawati

Ratnawati

2022

JADECS (Journal Art, Des. Art Educ. Cult. Stud.

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Abstrak: Kesenian Wayang Topeng Jatiduwur merupakan peninggalan Majapahit yang hidup dan berkembang ratusan tahun di desa Jatiduwur sebagai kesenian khas Jombang. Tetapi masih banyak dari masyarakat tidak mengetahui keberadaan Topeng Jatiduwur yang memiliki keunikan bentuk visual Topeng, warna, ornament, pertunjukan dan nilai sejarahnya. Tujuan penciptaan ini adalah mendeskripsikan ide konsep motif batik inspirasi Topeng Jatiduwur Jombang, mendeskripsikan proses kreatif motif kain batik dari tokoh Triloka dan upaya pelestarian Topeng Jatiduwur melalui motif batik. Metode yang digunakan adalah metode kreatif terdiri dari beberapa tahap; merumuskan kreasi ide motif batik inspirasi Topeng Jatiduwur Jombang, eksplorasi ide konsep, eksplorasi desain dan teknik, proses kreatif mewujudkan motif batik, hasil kreatif motif batik, dan analisis hasil kreatif. Hasil kreatif penciptaan berupa enam kain motif batik dengan teknik digital printing diharapkan memberikan efektifitas proses produksi kain batik skala besar, dan nantinya kain dapat digunakan sebagai bahan sandang dengan judul karya sebagai berikut; Jadur Darana, Jadur Prasasta, Jadur Wahya, Jadur Danurweda, Jadur Jasayasa, dan Jadur Lembahmana. Kreasi motif batik bertema Wayang Topeng Jatiduwur ini, sebagai upaya pelestarian kesenian dan pemajuan kebudayaan daerah Jombang. Kata kunci: Motif Batik, Topeng Jatiduwur, Printing, Jombang

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Section: Metodeunclassified

Kreasi Motif Batik Dengan Teknik Printing Khas Jombangan Dari Inspirasi Topeng Jatiduwur

Sakinah

Sidyawati

Ratnawati

2022

JADECS (Journal Art, Des. Art Educ. Cult. Stud.

View full text Add to dashboard Cite

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“…This phase was done by selecting Indonesia's attractive culture, whether done by direct observation to cultural attraction, such as dance or other performing arts. This idea extraction is selected as activity to do ICADECS observation process to potential idea source to be selected, determined, and formulated into artwork basic ideas to be embodied into ceramic artwork [12].…”

Section: Creative Process To Dig Idea Source Into Artwork Conceptmentioning

confidence: 99%

Creating Ceramic Art Using Indonesian Cultural Elements to Enrich Local Ceramic Craft Culture

Ponimin¹,

Silah²,

Wardhana³

et al. 2022

KSS

Self Cite

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Ceramics have spread across various regions in Indonesia. These ceramic products are produced using various techniques and styles. However, not many ceramic producers use Indonesia’s culture to inspire their products. The purpose of this research was to enrich Indonesia’s ceramic variants. The research process involved: (1) local Indonesian culture was reviewed as the basis for ceramic creation; (2) ceramic artwork was created based on Indonesia’s culture; (3) a range of techniques and shapes from certain Indonesian cultural elements were explored and applied; (4) visualizations of the shaping process were created in the campus studio in the Art and Design Department, Faculty of Literature, State University of Malang, using stoneware and earthenware materials processed by manual techniques and machines; the clay was collected from the Southern Malang region, and was mixed with quartz and kaolin; (5) the finishing process was carried out; and (6) the final creation was analyzed. It is expected that this research will add value in enriching Indonesia’s culture, especially in ceramic art. Keywords: artwork exhibition, ceramic art, creative

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“…This study primarily sought to uncover how education stakeholders' attitude affect students' interest in Ceramics. The stakeholders in this study refers to the people who play roles in students' education (Ponimin, Ponimin, 2021). These include students themselves and their peers, teachers, parents, and school managers whose actions shape students' education in one way or the other.…”

Section: Introductionmentioning

confidence: 99%

The Impact of Educational Stakeholders' Attitudes on Students' Academic and Career Interests in Ceramics Within the Kumasi Metropolis, Ghana

James,

Agyei,

Fening

et al. 2024

JADECS (Journal Art, Des. Art Educ. Cult. Stud.

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Educational programmes whether vocational or not have the potential to shape students to be able to give back to their societies. Unfortunately, some attitudes of players of education can affect students so much to dampen their self-efficacy and interest in Ceramics education. This study investigated some educational stakeholders' and their attitudes that can possibly have negative impact on students' academic and career interest in Ceramics within the Kumasi Metropolis, Ghana. Three schools offering Ceramics in the metropolis were purposively selected. They consisted of one mixed-gender, one boys-only, and one girls-only schools. The study was exploratory research and adopted the QUAN+Qual mixed-methods triangulation to conduct the investigation. Data was concurrently gathered using questionnaire, interviews and observation. 273 participants, including students, teachers, schools’ heads and parents were sampled from the three selected schools. Four Likert scale questionnaire and “Yes or ‘No’ data type was employed where SPSS v24, excel spreadsheet applications as well as frequencies and percentages (descriptive statistical techniques) helped to simplify and interpret the data. The study's findings revealed that educational stakeholders such as parents, students and their peers, teachers and schools’ managers put up behaviours that discourage students’ interest in Ceramics. The study found that low employment opportunities in Ceramics is the primary reason why parents, students, and teachers discourage students’ academic and career interest in Ceramics. The study also conducted a chi-square to establish whether the age, programme and level in school had any correlation with their believe that there is a low employment opportunity in Ceramics. The results found that the level of students alone to have significant correlation with p>0.000.

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Diversification of ceramic craft for tourism souvenir: local culture as art creation and production idea

Cited by 5 publications

References 26 publications

Kreasi Motif Batik Dengan Teknik Printing Khas Jombangan Dari Inspirasi Topeng Jatiduwur

Kreasi Motif Batik Dengan Teknik Printing Khas Jombangan Dari Inspirasi Topeng Jatiduwur

Creating Ceramic Art Using Indonesian Cultural Elements to Enrich Local Ceramic Craft Culture

The Impact of Educational Stakeholders' Attitudes on Students' Academic and Career Interests in Ceramics Within the Kumasi Metropolis, Ghana

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