1999
DOI: 10.1080/08098139909477956
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Book Symposium on Even Ruud'sMusic Therapy. Improvisation, Communication and Culture

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Cited by 15 publications
(32 citation statements)
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“…It was carried out through the technique of content analysis 12 using the categories of identity as described by Rudd 7 . The characterization in categories was interpreted according to socialcultural aspects of the patients.…”
Section: Discussionmentioning
confidence: 99%
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“…It was carried out through the technique of content analysis 12 using the categories of identity as described by Rudd 7 . The characterization in categories was interpreted according to socialcultural aspects of the patients.…”
Section: Discussionmentioning
confidence: 99%
“…They selected 10 to 15 pieces of music most significant in their lives and were then submitted to an open interview, during which they described their experiences and preferences. The collected data were classified according to Rudd' s categories 7 , which reveal how the person expresses his personal, social, temporal and transpersonal identities: (1) personal identity, which is related to individual and personal aspects; (2) social identity which refers to interpersonal aspects of identity; (3) temporal identity which refers to the geographic space and time the person feels connected to; (4) transpersonal identity which is related to musical experiences that are beyond language producing altered states of consciousness.…”
Section: Methodsmentioning
confidence: 99%
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“…Segundo Ruud, a filosofia de Wittgenstein é pertinente para a compreensão do significado musical, visto que a música sempre está em um contexto e, como tal, é uma parte de um processo produtor de significado. O significado da música tem como foco a situação particular dentro do contexto cultural particular (Ruud, 1998).…”
Section: A Construção Dos Significados E Sentidos Da Música No Contexunclassified
“…Tal movimento poderia ser considerado como uma "modulação" 2 , isto é, uma aproximação e diálogos da musicoterapia com o contexto sócio-histórico e cultural, como se pode evidenciar nos estudos dos musicoterapeutas noruegueses Ruud (1990Ruud ( , 1991Ruud ( , 1997Ruud ( , 1998 e Stige (1998), ao articularem discussões principalmente com o filósofo Ludwig Wittgenstein (1975), e também em estudos dos musicoterapeutas Grebe de Vicuña (1977), Milleco (1996), Barcellos (1992) e Santos (2002).…”
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