“…Nevertheless, some critical methodological aspects regarding the relationship between pottery and the cultural practices of the slaves must be taken into account before exploring the meanings of these assemblages. While only few archaeological investigations have been carried out about slavery in Brazil (see an overview of these studies in Funari 2007;Symanski and Souza 2007;Singleton and Souza 2009; and, more especially on the Quilombo dos Palmares, see Funari 1999;and Orser and Funari 2001), a variety of approaches have been suggested by Americans for the archaeological investigation of slavery in the context of the colonial encounters, which have influenced the ways in which slaverelated pottery have been analyzed. They include ethnogenesis (Perry and Paynter 1999), transculturation (Deagan 1998; on the early use of this approach in Cuba, based on the seminal work of Ortiz, 1983[1940], see Corzo 1988and Dominguez 1980), the "cultural transformation approach" (Armstrong 1999) and, especially, creolization (Dawdy 2000;Ferguson 1992), besides some inherited notions based on theories of acculturation (Otto 1984;Wheaton and Garrow 1985) and ethnicity (Schuyler 1980).…”