The Oxford Handbook of Criminology 2017
DOI: 10.1093/he/9780198719441.003.0012
|View full text |Cite
|
Sign up to set email alerts
|

11. News power, crime and media justice

Abstract: News corporations are reconstituting and dramatically extending their power to shape crime consciousness and influence criminal justice rhetoric and practice. At the same time, in depth crime news research has fallen off the criminological radar. In this chapter we argue that because criminologists have not kept pace with the transforming news environment, the relations between news power, crime, and criminal justice remain under-researched and under-conceptualized. We begin by revisiting two concepts that con… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1
1

Citation Types

0
11
0

Year Published

2018
2018
2023
2023

Publication Types

Select...
7
1
1

Relationship

2
7

Authors

Journals

citations
Cited by 27 publications
(12 citation statements)
references
References 23 publications
(11 reference statements)
0
11
0
Order By: Relevance
“…Crime reporting is a long-standing news staple (Greer and McLaughlin, 2017), with movement from more traditional print-based material, to online reporting and sharing of crime news stories on corresponding social media platforms which are then shared by people not usually involved in the production of news. Across these changing media platforms, there is a continuation of repetitive messages surrounding common criminality and those who commit crime (Hayes and Luther, 2018).…”
Section: Expanding Our Understanding Of Desistancementioning
confidence: 99%
“…Crime reporting is a long-standing news staple (Greer and McLaughlin, 2017), with movement from more traditional print-based material, to online reporting and sharing of crime news stories on corresponding social media platforms which are then shared by people not usually involved in the production of news. Across these changing media platforms, there is a continuation of repetitive messages surrounding common criminality and those who commit crime (Hayes and Luther, 2018).…”
Section: Expanding Our Understanding Of Desistancementioning
confidence: 99%
“…However talented and virtuous a celebrity may appear, a scandalous news feed will go viral in a hyper-connected world (Greer & Mclaughlin, 2015, 2017b. By surviving decades in the spotlight with their reputations intact, national treasures establish a rare positive consensus across a national media typically characterised by a 'gotcha' impulse to shred reputations (Cashmore, 2006;Greer & Mclaughlin, 2017a;Lloyd, 2004). Of the National Treasure competition run with the British Library, Sunday Telegraph editor, Ian MacGregor, said: 'There is so much bleak news at the moment, but this has been a great opportunity to celebrate some truly wonderful British achievements.'…”
Section: Media Validationmentioning
confidence: 99%
“…While state honours vetting remains a notoriously secretive affair (Phillips, 2004), the media vetting of a potential national treasure’s probity plays out in the full glare of publicity. However talented and virtuous a celebrity may appear, a scandalous news feed will go viral in a hyper-connected world (Greer and McLaughlin, 2015; 2017a, 2017b). By surviving decades in the spotlight with their reputations intact, national treasures establish a rare positive consensus across a national media typically characterised by a ‘gotcha’ impulse to shred reputations (Cashmore, 2006; Lloyd, 2004).…”
Section: Why Do National Treasures Matter?mentioning
confidence: 99%
“…There has been much discussion of the 'tabloidisation' of journalism in recent years, which relates variously to the growth of 'infotainment', the reduction in investigative journalism and the increased personalisation of stories, though there is very little consensus on the nature and implications of this (Bird, 2009;Zelizer, 2009). Certainly the interactive dynamics of tabloidisation and digitisation promote an ever more sensationalised, and adversarial form of crime reporting (Greer and McLaughlin 2017). However in the UK context there continues to be a clear differences in the reporting of crime across the tabloids and the broadsheets -with the former tending to focus on stories about 'good' and 'bad' characters, on the emotive details of the crime rather than consequences (Rogers 2004).…”
Section: Media Engagement As Social and Cultural Practicementioning
confidence: 99%