2019
DOI: 10.1177/1367549419861630
|View full text |Cite
|
Sign up to set email alerts
|

Why becoming a national treasure matters: Elite celebrity status and inequality in the United Kingdom

Abstract: This article presents the first academic analysis of ‘national treasure’ as a status designation for an elite category of British celebrities who hold a unique position in the Great British hall of fame. The emergence of this status designation is situated in the context of two intersecting processes of cultural change in the post-War period – the rise of celebrity culture and the popularisation of the state honours system. It is proposed that national treasure status results from the accumulation of three int… Show more

Help me understand this report

Search citation statements

Order By: Relevance

Paper Sections

Select...
1
1
1

Citation Types

0
3
0

Year Published

2020
2020
2023
2023

Publication Types

Select...
4

Relationship

1
3

Authors

Journals

citations
Cited by 4 publications
(3 citation statements)
references
References 34 publications
0
3
0
Order By: Relevance
“…Alexander's work is based on a convenience sample of the world's most exclusive movie celebrities whose fame (at least in the global north) is transnational and transcendent. However, as we have argued elsewhere (Greer and McLaughlin, 2020), celebrity icons are also embedded in the 'structures of feeling' characterising the national culture of which they are part (see also Tyler and Bennett, 2010). Alexander also has little to say about the status transformation processes involved in the mediatised production of a celebrity icon mask.…”
Section: Studies Of Masks and Masking: An Institutional Perspectivementioning
confidence: 95%
See 1 more Smart Citation
“…Alexander's work is based on a convenience sample of the world's most exclusive movie celebrities whose fame (at least in the global north) is transnational and transcendent. However, as we have argued elsewhere (Greer and McLaughlin, 2020), celebrity icons are also embedded in the 'structures of feeling' characterising the national culture of which they are part (see also Tyler and Bennett, 2010). Alexander also has little to say about the status transformation processes involved in the mediatised production of a celebrity icon mask.…”
Section: Studies Of Masks and Masking: An Institutional Perspectivementioning
confidence: 95%
“…Celebrities and celebrity culture have been researched from multiple perspectives (Cashmore, 2006;Douglas and McDonnell, 2019;Dyer and McDonald, 1998;Gamson, 1992;Marshall, 1997;Rojek, 2001;Van Krieken, 2012). Yet, as is the case with researching elites more generally, there is a scarcity of indepth and up-close analyses of the 'celebritocracy' (Greer and McLaughlin, 2020;Leypoldt and Engler, 2010;Marcus, 2019;Phegley and Badia, 2006;Tomaselli and Scott, 2009). Because of access problems, this type of research cannot normally be undertaken using traditional methods.…”
Section: Researching the Celebrity Elite: Methodological Considerationsmentioning
confidence: 99%
“…In this regard, Nicholson, Sherry and Osborne (2016, 542-543) argued, 'in contemporary culture the media is a pervasive force in both contextualizing and shaping our values and attitudes towards a myriad of social issues, including nationalism'. This resonates with the way in which, for example, celebrity athletes' losses, especially those which are conflated with a sense of national pride, are sensed as a collective loss for the nation (see Greer and McLaughlin 2019;Nicholson, Sherry and Osborne 2016;Wong and Trumper 2002). In the context of Australia, this is especially the case for athletes whose identities are considered 'normative' to the identity of the nation state of Australia (e.g.…”
Section: Sally Pearsonmentioning
confidence: 99%