The paper is devoted to the peculiarities of the soft skills building in the students majoring in “Choreography” during the educational process. The research also indicates the impact of social skills on the future graduates’ competitiveness. The paper states the fact of the existing problem of the relationship between the future choreographers’ knowledge gained in the educational process and the skills and abilities necessary for immediate immersion in their professional activities. It is emphasized in the research that modern requirements are set for the successful implementation of the educational process in a higher educational establishment. These requirements consider taking into account the needs of the labor market, studied by analyzing requests from potential employers, research of labor market development and employment experience of graduates as a necessary condition. It is proved that the effective application of social and psychological skills (soft skills) in a balanced combination with professional knowledge (hard skills) is one of the main indicators of a highly qualified specialist. The paper presents the program learning outcomes defined by the Standard of Higher Education. The mastery and achievement of these outcomes will ensure the future choreographers’ soft skills-building for their further employment. The research offers the set of methods that contribute to the acquisition of soft skills. Among them, there are as follows: a problem presentation, a search method, pair and small group work, a case method, a brainstorming, a presentation, a project method, discussions and debates, business games, creative tasks, and improvisation, and interpretation, etc The author determines social and psychological skills, which are formed more effectively during the students’ acquisition of educational components of different cycles: the cycle of educational components aimed at the formation of general competencies; educational components of the training cycle; educational components related to pedagogical communication; the cycle of educational management components; different types of practices. The influence of quarantine restrictions on the soft skills building in students majoring in “Choreography” is determined. Keywords: soft skills; flexible skills; competitiveness; future choreographers; students; educational components; competence; teaching methods; forms of teaching
Exploring ways of learning foreign language grammar using video content in secondary education is relevant because most research focuses on other educational levels and rarely takes into account student and teacher assessments. In addition, the vast majority of studies deal with the theoretical aspects of foreign language grammar learning at school. Accordingly, there is a need for empirical studies that focus more on secondary education and the nature of teachers and students' perceptions of such issues. This determined the relevance of the article. The aim of the study is to establish the effectiveness of the use of audiovisual materials as a tool for learning a foreign language. As a result, was determined the assessment of teachers and students' feasibility of introducing video content in the process of learning grammar of a foreign (English) language. The main methods in the study were methods of experiment and interviewing; also, the method of questioning was used. The main hypothesis is that the introduction of video content as teaching material for learning foreign languages is an effective method of teaching, positively evaluated by all participants in the educational process. The results of the study show that the introduction of films as teaching material in the educational process contributes to the teacher's willingness to use video content for their lessons, the understanding of all participants in the educational process of the benefits of using audio-visual materials is improved; the performance increases. Increasing the level of methodological skill and awareness gained through personal experience encourages improvement of the learning process, awareness of the need to use the completely rich arsenal of modern methods and forms of language teaching. In the future perspective is the study that the use of audio-visual content as didactic material is not only a means of learning a language, but also a factor in improving critical thinking skills, a sense of social justice, awareness of art, in particular, history of the culture.
Мета статті полягає в тому, щоб узагальнити та представити особливості застосування інноваційних методик викладання сучасного хореографічного мистецтва у ЗВО задля забезпечення подальшого успішного працевлаштування майбутніх фахівців. Методологія. У дослідженні було використано загальнонаукові (узагальнення, порівняння, індукція і дедукція) та емпірико-теоретичні методи (аналіз, синтез). Використання системно-структурного аналізу дало можливість розмежувати основні особливості застосування інноваційних методик викладання сучасного хореографічного мистецтва. Новизна. Наукова новизна одержаних результатів в статті зумовлена вирішенням важливого наукового завдання, яке полягає у напрацюванні теоретичних положень та практичних рекомендацій щодо аналізу особливостей застосування інноваційних методик викладання сучасного хореографічного мистецтва. У статті одержали подальший розвиток дослідження щодо впровадження інноваційних методик у ЗВО для викладання сучасного хореографічного мистецтва. Висновки. На основі проведеного дослідження встановлено, що інноваційний підхід у викладанні сучасного хореографічного мистецтва полягає в сучасному моделюванні, організації нестандартних лекційно-практичних, семінарських занять; розробці нової системи контролю оцінки знань; індивідуалізації засобів навчання; застосуванні комп’ютерних, мультимедійних технологій; навчально-методичної продукції нового покоління. Встановлено, що методи хореографічної підготовки студентів-хореографів є системними об`єктами, які об`єднують низку взаємопов`язаних дій викладача й студентів-хореографів, які скеровані на виконання освітньої, розвивальної, виховної і контрольної функцій. Визначено, що до основних інноваційних методів та прийомів, які застосовуються в процесі викладання сучасного хореографічного мистецтва належать демонстраційно-образні (наочні) методи, словесні методи, художньо-творчі (практичні) методи, інтерактивні методи та прийоми хореографічної підготовки. Встановлено, що художньо-педагогічні технології для професійної підготовки студентів хореографів слабо вбудовані в практику викладання в навчальних закладах, тому меншою мірою застосовуються у навчальному процесі.
The paper studies the impact of distance learning on the formation of professional competence of artists in the context of globalization and informatization as one of the important structural elements in ensuring the educational process during the pandemic COVID-19. The main characteristics of distance learning are studied. It is established that due to the implementation of distance learning with the help of information technology opens up a number of opportunities for distance training of applicants for art specialties. It is established that the main goal of the implementation of the integrative model of professional training of applicants for art specialties by means of innovative technologies is to form generalizations by students to demonstrate the mastery and understanding of the research topic. The Журнал «Перспективи та інновації науки» (Серія «Педагогіка», Серія «Психологія», Серія «Медицина») № 5(5) 2021 455 criteria for assessing the social and emotional competence of students are proposed to measure the results of experimental research on the implementation of an integrative model of professional training of applicants for art specialties. It is determined that the transition to distance learning based on the application of the competency approach and the implementation of an integrative model will benefit both students and teachers. It is established that after the completion of the curriculum in the preparation of applicants for art specialties on the basis of the competence approach, the future specialist must develop skills in three profile dimensions of creation, implementation and evaluation and analysis. It is determined that as a result of training artists in the competency approach, they will gain the following key skills: open mind and the ability to go beyond the limits and experiment with new ideas; communication skills; analyticalness; critical thinking and research skills; ability to think; ability to respond effectively to feedback; teamwork and cooperation; time management and organizational skills; selfpresentation; consciousness; creativity; resilience and self-discipline.
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