Color atlases, such as those based on the theories of Ostwald and Munsell, are useful because they simplify finding the color one has in mind for a specific use, not because the colors in the scales have a harmonious relation that can be used without further consideration. The author believes it is the orderly sequence that gives this impression. Other limitations of the atlases are discussed. Selecting harmonious colors is a creative process that considers the design, and fashions and mores of the times, and the changing character of the arts. Looking at color usage everywhere seems the best way to learn and understand color harmony.
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