This article is an attempt to capture aspects of ramifying networks that are transporting the fluid concept of `gender'. Assuming that transnationality is a central feature in diasporic contexts, how does it manifest itself in diasporic practices? If one of these practices is knowledge production, then what are the processes of migrating epistemologies and how are these gendered? This begs the question of whether or not gender is still an important site from which to view the fluid phenomena of postcolonial/transnational processes or if the contemporary valences of transnationalism require, instead, a fluid gendering of the contemporary categories of empire that operate differently through space. By reading the transnational through the local, with particular reference to Ahfad University for Women (Sudan), the article interrogates the ways concepts of women/gender and feminist ideas travel across boundaries and how these concepts are changed in the process.
Using field data from Eritrea and Sudan, Hale’s essay interprets women’s political memory work in contemporary conflict situations as forms of resistance. Few approaches are more epistemologically generative in analyzing conflict than the politics of memory in which, by recounting conflict situations through various renderings, those engaged try to override, cancel out, and morally supersede their adversaries’ renditions. People try to colonize each other’s pasts, and men try to colonize women’s versions of conflicts. Some strategies for colonizing the memory of violent conflicts involve annihilating culture; dislocating people from their homeland; and trying to shape and control the lives, bodies, and voices of women. In various Sudanese and Eritrean conflict situations, not only do competing ethnic groups and people with differing modes of economy remember their encounters differently, so do women and men. During conflict situations, men may try to recapture stories of the homeland through the bodies of women, a provocative process that sometimes leads to gender-based violence (e.g., Darfur, Sudan) or, by contrast, to gender-blind ideology (e.g., in Eritrea). By substituting their own poetics, women resist a biopolitics in which their bodies are used as a symbolic means of dramatizing conflicts. They have had to replace the everyday, for now, with a politics, polemics, and poetry that allows them to resist.
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