The article focuses on the policy rhetoric of the Masters in Teaching and Learning (MTL). This is a new degree being launched in the summer of 2010 aimed, initially, at teachers who have just joined the profession. The degree presages the aspiration for a Master's level teaching profession in England. Professional development as conceived in the MTL is continuous rather than continuing and permeating the vision is the language of 'personalisation'. Teachers will be accompanied on the journey by an 'in-school coach'. These notions suggest a highly tailored approach to continuing professional development (CPD), with careful attention to the identification of teachers' needs and close support from a colleague. The article argues that, contrary to this impression, the MTL marks a new and significant step in expanding the utilitarianism of the English education system. The MTL represents a deepening hold on education by the state and a growing scepticism about the value of higher education in the CPD of teachers. It also aspires to a changing culture in schools as the workplace becomes the locus for the CPD of teachers. As other authors have described, the national character of education systems in Europe and in the Americas, Australia, New Zealand and Asia reflect an increasing instrumentality. The MTL, then, can be seen as part of a global phenomenon; in this case the policy lever of CPD is employed to support performative and audit policy agendas via a rigid accountability system. The MTL also represents a particular form of neo-liberal governmentality where increasing centralisation is 'masked' by a 'simulacra of care'.
Postcode Criminals was the second phase of an international participatory community arts project challenging negative stereotypes of urban youth. Concerned with the impact of zero tolerance community policing strategies in the UK and USA, artists Joann Kushner and Dread Scott developed an art-based project with a social justice agenda. To give voice to an underrepresented group, the project invited high academic achievers with no history of criminal behaviour from economically and socially deprived urban communities to participate. Postcode Criminals focused on regions of Liverpool and New York, typically sites where community policing strategies had been in force for some time. The findings of this project reveal that relationships between young people, their communities and the police force have been damaged as a direct result of community policing strategies, despite the reported success in crime reduction figures. Fear of crime was found to be a greater problem in urban communities than crime itself. Young people's experiences of 'ephebiphobia', the fear of teenagers, were articulated, creating alternative, positive representations of themselves and providing a catalyst for improved community relations.
This paper explores and examines a case study based at Ivy Bank Business and Enterprise College, The Imperial War Museum North, and Liverpool John Moores University. This collaboration took place from November 2004 until February 2005 culminating in an exhibition of children's artwork as part of the ‘Moving Minds’ project at the IWM North. This project was built upon a firm foundation of common goals; an investment in educational and curriculum development; learning through an engagement with contemporary art practice; learning within the context of the museum and a belief that working collaboratively can act as an effective antidote to a perceived orthodoxy in art and design education (Steers 2004). Through practitioner enquiry this paper presents three distinct perspectives. The voice of the trainee teacher, the classroom teacher and the university lecturer demonstrate both elements of commonality and difference within the shared experience of this enterprise.
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