This publication has been typeset in the multilingual "Brill" typeface. With over 5,100 characters covering Latin, IPA, Greek, and Cyrillic, this typeface is especially suitable for use in the humanities. For more information, please see www.brill.com/brill-typeface.isbn 978-9004-30477-2 (hardback) isbn 978-9004-30478-9 (e-book) Copyright 2015 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Brill Hes & De Graaf, Brill Nijhoff, Brill Rodopi and Hotei Publishing. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. This book is printed on acid-free paper. This is an open access title distributed under the terms of the Creative Commons Attribution-Noncommercial 3.0 Unported (CC-BY-NC 3.0) License, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. (1994)(1995)(1996)(1997)(1998)(1999)(2000)(2001)(2002)(2003)(2004)(2005)(2006)(2007)(2008)(2009)(2010)(2011). He is at present president of the Max Weber Foundation. He has xii notes on contributors worked on, written and edited about 80 books on international relations in early modern times, persons and structures of the "Sattelzeit" and the idea of Europe in modern times. ContentsSuzan van Dijk is a specialist in French literature and senior researcher at the Huygens Institute for the History of the Netherlands (KNAW Royal Dutch Academy of Arts and Sciences). She is particularly interested in women's authorship (eighteenth and nineteenth century), the reception of women's writing and international connections between women authors. In this field she initiated and chaired a series of international projects, funded by NWO, COST, CLARIN-NL and HERA.Julie Farguson has recently completed her doctoral thesis at the University of Oxford and is currently a non-stipendiary lecturer at Hertford College, Oxford. Her thesis looks afresh at the visual presentational strategies employed by monarchs, consorts and their advisors in the wake of the Glorious Revolution (1689-1714). Henriette Goldwyn is a specialist of Early Modern Literature and Culture in the department of French at New York University, and the director of New York University in Paris. She is one of the cofounders of the SIEFAR (Société Internationale pour l'Étude des Femmes de l' Ancien Régime). Her research and publications focus on narrative fiction in the sevententh century, early modern women writers, polemical journalism and religious discourse. She has written extensively on women writers,...
In this article, we explore how the lockdowns followed by the Covid-19 pandemic and the subsequent rise in domestic tourism impacted the ways in which Arctic tourism businesses sold and shared their experiences and stories to the domestic tourist - for many, a new and unusual guest. In exploring cases from Greenland and Northern Norway, we are interested in describing tourism marketing and product innovation in times of crisis, using this disruption into the usual market dynamics of Arctic tourism to reflect on post-pandemic tourism opportunities. As we argue, tourism marketing and development may serve as a lens to shed new light on the often turbulent relationships between tourism actors in Arctic communities. As we show, this was the case in the summer of 2020, where increasing concerns, as well as new insights and experiences, surfaced in the emerging domestic tourism encounters. We argued that these exemplify potential new ways for more reciprocal encounters in Indigenous and Arctic tourism.
The present article is a case study of the various roles museums play for World Heritage Sites, focusing on the Roman Frontier (also known as Limes). The first section will describe the historical background of the Roman Frontier along the River Rhine. The Interpretation Frameworks and their application in museums using storylines will then be explained and an overview of the initiatives and the cultural infrastructure along the former Roman frontier in the Netherlands and Germany will be given. Finally, we will address cooperation between Dutch and German authorities in the World Heritage Site nomination process, as well as the role ICOM can play in promoting World Heritage Sites in general.
Het net van geschiedenissen over Nederlandse steden verdicht zich. Elk jaar verschijnen van grotere en kleinere gemeenten overzichtswerken die het verleden over een groot aantal eeuwen samenvatten. In 2002 publiceerde Pim Kooij in de BMGN een overzicht van recent gepubliceerde stadsgeschiedenissen (Dordrecht, 's-Hertogenbosch, Leeuwarden, Rotterdam en Utrecht). 1 Hij constateerde een toenemende integratie van disciplines die zijn vruchten begon af te werpen. Die ontwikkeling heeft doorgezet en sindsdien zijn weer verschillende stadsgeschiedenissen verschenen. De redactie van de BMGN achtte het daarom weer tijd voor een volgend overzicht. Dit artikel behandelt de overzichtswerken over Gouda, Den Haag, Leiden, Tilburg, Zwolle en Nijmegen die de laatste jaren zijn verschenen. Deze keuze geeft de regionale spreiding in het stadshistorisch onderzoek aan. Al is het westen van het land nog steeds oververtegenwoordigd (met nu recente stadsgeschiedenissen voor de vier grote steden van de Randstad), 2 de andere provincies zijn sterk in opkomst. RECENSIEARTIKEL. NIEUWE STADSGESCHIEDENISSEN IN BEELD WEBPUBLICATIE 1 1 P. Kooij, 'Het format van de stad. Een evaluatie van recente Nederlandse stadsgeschiedenissen',
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