Dans le prolongement du Narrative art, Sophie Calle produit au tournant des années 1980 une oeuvre de photographies et de textes. Dans un rapport très étroit avec le réel, ses premiers travaux illustrent ce que Paul Ricoeur appelle la « configuration du temps en récit ». À partir du concept de la grille photographique, on mettra en évidence comment, dans Filatures parisiennes, Suite vénitienne et La filature, Sophie Calle fait basculer le récit factuel dans la fiction.Following on from the Narrative art, Sophie Calle produces at the turn of the 1980s a work that combines photography and text. Closely connected to the real, her early works illustrate what Paul Ricoeur called the “configuration of time into a story”. From the concept of the photographic grid, we will try to show how Sophie Calle transforms an apparently factual story into fiction in Filatures parisiennes, Suite vénitienne and La filature
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