Hume talks of our ‘gilding and staining’ natural objects, and of the mind's propensity to ‘spread itself’ on the world. This has led commentators to use the metaphor of ‘projection’ in connection with his philosophy. This book spells out its meaning, the role it plays in Hume's work, and examines how, if at all, what sounds ‘projective’ in Hume can be reconciled with what sounds ‘realist’. In addition to offering some original readings of Hume's central ideas on God and the Self among other things, this book offers a detailed examination of the notion of projection and the problems it faces.

This paper discusses the metaphor of projection in relation to Hume’s treatment of causal necessity. I argue that the best understanding of projection shows it to be compatible with taking Hume to be a ‘sceptical realist’ about causal necessity, albeit an agnostic one.

Hume's 'Natural History of Religion' offers a naturalized account of the causes of religious thought, an investigation into its 'origins' rather than its 'foundation in reason'. Hume thinks that if we consider only the causes of religious belief, we are provided with a reason to suspend the belief. I seek to explain why this is so, and what role the argument plays in Hume's wider campaign against the rational acceptability of religious belief. In particular, I argue that the work threatens a form of fideism which maintains that it is rationally permissible to maintain religious belief in the absence of evidence or of arguments in its favour. I also discuss the 'argument from common consent', and the relative superiority of Hume's account of the origins of religious belief.

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