This study was conducted in order to analyze the role of the entrepreneurship education and subjective norms on the intention of entrepreneurship. The respondents of this study were 80 students of the Faculty of Economics, Universitas Pendidikan Ganesha, Singaraja, Bali, Indonesia. The sampling technique used was convenience sampling technique. The primary data of this study were in the form of questionnaires with a Likert scale of 1-5. The analytical model used was the multiple regression. As the results of this study, it was indicated that entrepreneurship education and subjective norms significantly influenced students' interest in entrepreneurship.
Ni Ketut Arini, who is popularly called Mrs. Arini, is a maestro of Balinese performing arts. This article will discuss the maestro's progress, who is known as a multi-talented artist with a long history of preserving this regional performing arts. In Bali, there are many performing arts artists. However, of the many artists referred to, it seems that not many have track records throughout Mrs. Arini's career. The questions: how is Mrs. Arini's progress in preserving traditional Balinese performing arts?. This research was conducted using the life history method. The data sources for this research were Mrs. Ni Ketut Arini herself, her colleagues, her students at Sanggar Warini and related communities who were selected based on purposive sampling and snowball. All data collected through observation, interviews, and literature studies were analyzed using Bourdieu's theory of aesthetics and social action theory. The results of the study show that Ni Ketut Arini is an artist who graduated from the Indonesian Art College (STSI) in Denpasar, and most of her life has been dedicated to the preservation of Balinese performing arts. Since the age of 14, Ni Ketut Arini has mastered Balinese traditional dance. Her skill in dancing traditional Balinese dance has made Ibu Arini have many students and become a role model for artists in Bali. Mrs. Arini is known for consistently preserving traditional Balinese dance. Through the Warini Studio that she cares for, Mrs. Arini continues to strive to care for, maintain, and develop this Balinese performing art to attract Balinese cultural tourism.
Pesta Kesenian Bali (PKB) tahun 2021 bangkit kembali dalam bentuk berbeda. PKB ke -43 sebagai wadah berkreatifitas para seniman digelar secara virtual, lantaran berfluktuasinya pandemi covid-19 di Bali. Kreativitas yang dihasilkan para seniman memiliki fokus dan kontekstual menerjemahkan tema PKB “Purna Jiwa, Prananing Wana Kerthi” atau “Jiwa Paripurna, Nafas Pohon kehidupan”. Pementasan dilakukan secara virtual dan hanya beberapa dilakukan secara luring dengan penerapan protokol kesehatan. Fenomena covid-19 sangat memotivasi inovasi dan jiwa semangat para seniman Bali, hal ini dapat dilihat dari penampilan karya-karya yang rata-rata sangat menarik. Ada 2 (dua) karya yang menarik untuk dibahas yaitu, tari Kreasi Kekebyaran Mimba dari duta Kota Denpasar dan Pagelaran Arja Klasik dari Sanggar Suara Kanti Singapadu, Gianyar. Metode yang digunakan dalam penelitian ini yakni menggunakan metode penelitian kualitatif lebih menekankan pada sisi kualitas pada entitas yang diteliti. Menggunakan metode penelitian kualitatif untuk mempermudah mengkritisi hal-hal yang ada pada pertunjukan Tari Kreasi Kekebyaran Mimba dan Pagelaran Arja Klasik baik dari segi teknik, bentuk, keunikan dan rasa, serta menginterpretasikan nilai-nilai yang terkandung pada karya tersebut. Tari Kreasi Kekebyaran Mimba menggambarkan tentang bagaimana keseimbangan dari simbol maskulin dan feminim dalam satu orang karakter penari, konsep ini terinspirasi dari daun Intaran dan konsep Ardhanareswari. Pementasan Arja Klasik dari Sanggar Suara Kanti dengan judul “Taru Urip” yang mengisahkan perjodohan melalui taru urip yang diberikan oleh Galuh Daha yang kemudian dimenangkan oleh Prabhu Jenggala, Raden Dharma Sentana. Kata Kunci: PKB,Covid, Kreatifitas, Seniman
Through various exploration and the research show in rural, in coast, non in stsge by using special settlement, as everyday refleksi life of society of Tejakula Village, what more signalizing of natural element and natural. This matter is with the Fistula meaning underside, representing Pate; Upstream antonym (upper). Settlement naturally in areal staging in the form of black sand with its cobblestones, grove become green in coastal periphery, free sea and small river stream, made by as very supporting shares of masterpiece perfection. left and Right backside of staging place attached by penjor and twenty umbul-umbul. Rear instrument of gambelan of Gong Kebyar to accompany the appearance of Krama Negak village, Krama Cendek and training dance the Kebyar Tarunajaya. In sea front, in bamboo tide to drape the net, what is being improve; repaired by all fisherman. In starboard, attached by place of grilling of haul fish of all fisherman.
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