Barong Using is a performance art which is native to the Using community. Barong Using is used as a sacred necessity for clean village rituals. Rituals are held twice a year. The Ider Earth Ritual on the 2nd of Shawwal and the moon village salvation ritual were recited. The cultural development of bringing the art of barong performance functions as a sacred and profane need. There are efforts to optimize the art of barong performance by the use of tourism. The problems contained in this study are related to discussing (1) the history of Barong Kemiren's performance in which it examines ritual processions with socio-cultural values; and (2) efforts to optimize the art of barong performance later using communities in 1996-2018 as the use of tourism. The research method used is the historical research method by using a cultural anthropology approach to study cultural change and using structural functionalism theory to analyze the shift in barong function socially as a result of tourism. The results of this discussion, the optimization of the art of barong performance is packaged in the interrelationships of the five pillars that support the development of tourism and creative industries, namely, the state, art and ritual actors, supporting communities, industry, and religious leaders. These pillars can provide the right input so that a good response emerges from entrepreneurs, bureaucrats, cultural practitioners, and practitioners of traditional and ritual arts. Now the art of barong performance has undergone many changes starting from the structure of performances and interludes which accompany.
<p class="abstrak">This research examines why local identity building was conducted in Osing village, Banyuwangi Regency, East Java, and how this identity was initiated and invested by actors who have power using Islamic political identity. To respond to these questions, this research used the historical method by utilizing primary and secondary sources, such as official archive in form of decrees, interview with historical actors, and various references such as books, journals, and newspapers. This research findings are the following: Osing’s identity was a deliberate blueprint and not a natural continuity. This construction involved cultural practitioners, journalists, artists, intellectuals, traditional figures, and national administrators. Osing’s identity construction, transformation, negotiation, and mobility are the site of the contention of various interest. The attempt of creating a sympathetic and caring reputation of Osing culture represented by almost all of Banyuwangi regent continued from the New Order era until the post-Reformation era, despite various paradigm shifts. This needs to be interpreted as efforts to build identity and not just to eliminate the stigma attached. It has had an impact on political support and legitimacy in Banyuwangi, especially Osing Kemiren Village.</p>
AbstrakSeni pertunjukan barong Using merupakan seni pertunjukan asli masyarakat Using. Barong Using digunakan sebagai keperluan sakral untuk ritual bersih desa. Ritual dilaksanakan 2 kali dalam setahun. Ritual Ider Bumi tanggal 2 Syawal dan ritual selamatan desa bulan dulhijah. Perkembangan budaya membawa seni pertunjukan barong berfungsi sebagai kebutuhan sakral dan profan. Terdapat upayaupaya mengoptimalisasikan seni pertunjukan barong oleh pemanfaatan pariwisata. Permasalahan yang terdapat dalam penelitian ini terkait membahas (1) sejarah seni pertunjukan Barong Kemiren yang didalamnya mengkaji prosesi ritual dengan nilai-nilai sosial budaya; dan (2) upaya optimalisasi seni pertunjukan barong kemiren masyarakat Using tahun 1996-2018 sebagai pemanfaatan pariwisata. Metode penelitian yang digunakan yakni metode penelitian sejarah dengan menggunakanya pendekatan antropologi budaya untuk mengkaji perubahan secara budaya serta menggunakan teori fungsionalisme struktural untuk menganalisis pergeseran fungsi barong secara sosial sebagai dampak pariwisata. Hasil pembahasan ini, optimalisasi akan seni pertunjukan barong dikemas dalam keterkaitan lima pilar penyangga pengembangan pariwisata dan industri kreatif yakni, negara, pelaku seni dan ritual, masyarakat pendukung, industri, dan pemuka agama. Pilar-pilar ini bisa memberikan masukan yang tepat sehingga memunculkan respons yang baik dari kalangan pengusaha, birokrat, praktisi budaya, dan pelaku seni tradisi dan ritual. Kini seni pertunjukan barong mengalami banyak perubahan mulai dari struktur pertunjukan dan selingan-selingan yang menyertai. AbstractThe art of Barong show Using is an original performing arts community Using. Barong Using is used as a sacred necessity of village traditions. Earth Ider Date 2 Shawawal and the termination of the village of Dulhijah month. The development of culture brings barong art as a sacred and profan need. The problem in this study discusses (1) The art History of Barong Kemiren Performing arts that examine the process of tradition and social values of culture; and (2) The efforts of optimizing the art of Barong show the performance of the community Using the year 1996-2018. The method of research used is the method of historical research with the use of cultural anthropology approach and use structural functionalism theory to analyse the shift of barong function. The results of this discussion, the optimization of the Barong show art packed with five pillars of tourism and creative industries, countries, art and rituals, supporting communities, industry, and religious leaders. These pillars can give the right input eliciting a good response among entrepreneurs, bureaucrats, cultural practitioners, and art traditions and rituals. The art of the Barong show has many changes ranging from the performance structures and accompanying interlude.
scite is a Brooklyn-based organization that helps researchers better discover and understand research articles through Smart Citations–citations that display the context of the citation and describe whether the article provides supporting or contrasting evidence. scite is used by students and researchers from around the world and is funded in part by the National Science Foundation and the National Institute on Drug Abuse of the National Institutes of Health.
customersupport@researchsolutions.com
10624 S. Eastern Ave., Ste. A-614
Henderson, NV 89052, USA
Copyright © 2024 scite LLC. All rights reserved.
Made with 💙 for researchers
Part of the Research Solutions Family.