Film Theory in Media History explores the epistemological and theoretical foundations of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. Adopting a historical perspective, but with a firm eye to the further development of the field, the series provides a platform for ground-breaking new research into film theory and media history and features high-profile editorial projects that offer resources for teaching and scholarship. Combining the book form with open access online publishing the series reaches the broadest possible audience of scholars, students, and other readers with a passion for film and theory.Series editors: Prof. dr. Vinzenz Hediger (Goethe Universität, Frankfurt am Main), dr. Trond Lundemo (Stockholm University), and prof. dr. Weihong Bao (Berkeley, University of California)Advisory board: Prof. dr. Dudley Andrew (Yale University), prof. dr. Ray Raymond (CNRS Paris), prof. dr. Chris Berry (Goldsmiths, University of London), prof. dr. Francesco Casetti (Università Cattolica del Sacro Cuore, Milano, Yale University), prof. dr. Thomas Elsaesser (Universiteit van Amsterdam), prof. dr. Jane Gaines (Columbia University and Duke University), prof. dr. André Gaudreault (University of Montréal), prof. dr. Gertrud Koch (Free University of Berlin), prof. dr. John Mac (Yale University), prof. dr. Markus Nornes (University of Michigan), prof. dr. Patricia Pisters (Universiteit van Amsterdam), prof. dr. Leonardo Quaresima (University of Udine), prof. dr. David Rodowick (Harvard University), prof. dr. Philip Rosen (Brown University), prof. dr. Petr Szczepanik (Masaryk University, Brno), prof. dr. Brian Winston (Lincoln University)Film Theory in Media History is published in cooperation with the Permanent Seminar for the History of Film Theories. The Permanent Crisis of Film CriticismThe Anxiety of Authority Mattias Frey Amsterdam University PressThis book is published in print and online through the online OAPEN library (www. oapen.org).OAPEN (Open Access Publishing in European Networks) is a collaborative initiative to develop and implement a sustainable Open Access publication model for academic books in the Humanities and Social Sciences. The OAPEN Library aims to improve the visibility and usability of high quality academic research by aggregating peer reviewed Open Access publications from across Europe. Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise).To the permanent memory of my father Although criticism has from time to time "enjoyed its teeth-baring and wound-licking moments of 'crisis,'" editor-in-chief Nick James writes, "this time there is real pain." 8 Among the many, perhaps insurmountable and irreversible challenges James lists include the free access to reviews from established sou...
Has there ever been a medium as hyped or hated as the internet? Of course, historians have shown that every new communications system, whether the telegraph, telephone, cinema, radio, broadcast television, or cable television, has inspired magical thinking and anxious moral panics about its supposed influence on users' lives and the body politic. 1 But none of these prior innovations enjoyed the internet's do-it-yourself generation-and-dissemination dynamics to promote and revile itself, at least since the late 1990s, when cyberspace (remember that?) expanded widely outside military installations and universities. That I and many of this journal's readers were intellectually and politically conscious at its birth hour only intensifies the visceral impact of the shrill voices of utopia and apocalypse that have competed, seemingly unabated, for attention ever since.In crucial ways, these hopes, dreams, anxieties, and nightmares have been more interesting to me than the forms and functionality of the technology itself. The internet has reinvigorated deep-seated beliefs about how society should be organized and who should lead or control its opinion-leading communications apparatus. Inevitably, commentators projected their own fantasies and paranoias onto this new thing. Aca-fans predicted the mainstreaming of cult tastes and surmised that media executives would henceforth pay them heed. 2 Entrepreneurs, as Andrew J. Bottomley's contribution to this In Focus indicates, envisioned tapping into vast new aggregations of value-that is, making money-by linking niche items with niche markets. 3
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