The Latin drama of the Renaissance and Reformation has been studied mostly in Germany. Bahlmann and Bolte laid the bibliographical foundations in the 1890s, and at the same time Creizenach was publishing the volumes of his great Geschichte des neueren Dramas, which still contain the most comprehensive survey that we have of neo-Latin drama up to 1550. Rossi and Sanesi have dealt to some extent with the Latin drama in Italy, but their treatment is superficial compared with Creizenach's. In French there is no significant scholarly work in this field. In England J. A. Symonds gave a good account of the humanist drama in his Renaissance in Italy (1875) twenty years before Creizenach, but it was not until the appearance of Boas’ University Drama in the Tudor Age in 1907 that any work on Anglo-Latin dramatists was available.
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