The influence of TikTok has reached the news media, which has adapted to the logic of the platform, in a context marked by the incidental consumption of news, virality and the intermediation of technology in access to information. The popularity of this social network invites news outlets to address a young audience on a platform characterized by visual and short content and dynamics defined by algorithmic recommendations, trending hashtags and challenges. Based on an exploratory search of news media and programmes on TikTok from around the world, we selected 234 accounts and conducted a content analysis of the 19 news media and programmes identified with a verified profile and general thematic scope. The results point to a progressive incorporation of the media since 2019, with the purpose of informing, positioning their brand and adapting to the logic of TikTok in a new approach to journalism for younger generations.

Social media are increasingly integrated into media routines as channels to gain access, verify and spread information. Likewise, as mobile news consumption is standardized, the media experiment with native formats for these platforms. This study analyzes how the media use Instagram Stories, to identify the strategies that they apply, as well as the adaptation and innovation features on this platform. A content analysis was conducted from a sample of 17 online media that use Instagram Stories, both legacy and digital native. The results show an upward potential in ephemeral news production, one that is increasingly developed and unique.

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Durante las dos últimas décadas, el modelo mediático tradicional de la prensa local ha sufrido una profunda crisis que, unida a la económica, ha derivado en el cierre de cabeceras y recortes de personal. La creciente necesidad de una oferta informativa local veraz y la adversa realidad laboral en el sector comunicativo han motivado a muchos periodistas a fundar sus propios medios locales e hiperlocales al amparo de la red. En esta investigación se realiza un estudio exploratorio para elaborar el primer mapa de cibermedios locales e hiperlocales activos en España, con el objetivo de conocer la presencia de este tipo de medios en el Estado. Posteriormente, estos cibermedios se someten a un análisis de contenido para identificar sus características básicas y tendencias de desarrollo. Los resultados evidencian un crecimiento relevante de los cibermedios locales e hiperlocales en el país, así como unos rasgos que reflejan la búsqueda de nuevos modelos informativos desde la proximidad.

Introducción. Los cambios en el panorama televisivo han dado pie a nuevas formas de producción y de consumo que imponen desafíos en la monitorización de la audiencia. Este artículo profundiza en las transformaciones de la medición de audiencia a través del estudio de caso de la serie de RTVE Si fueras tú, primera serie de ficción nativa, interactiva, transmedia. Metodología. Se realiza un análisis de los soportes y plataformas oficiales que conforman el universo transmedia de la serie de ficción para posteriormente estudiar las posibilidades de interacción y la actividad de la audiencia en cada una de ellas. Resultados. Los datos muestran que Facebook e Instagram concentran la mayor parte de la actividad del universo transmedia, además se identifica una rutina semanal en la combinación de plataformas y la integración de la audiencia activa. Discusión y conclusiones. Se constata la imposibilidad de cuantificar de forma estandarizada la audiencia transmedia y se señalan retos de futuro. [EN] Introduction. The changes in the television landscape have given rise to new forms of production and consumption which present challenges to the monitoring of the audience. This article delves into the transformations regarding how to measure the audience through the case study of the series produced by RTVE, Si fueras tú, the first native, interactive and transmedia fiction series. Methodology. An analysis of the official media and platforms which make up the transmedia universe

Fact-checking has become one of the most relevant activities of recent years, as a result of the increase in the flow of fake news and of the ease to spread news through platforms such as social media. The goal of the research is to assess the task of fact-checking developed by initiatives that use Spanish as a vehicle for comparing inaccurate and false information. We carried out a case study of 19 international projects that use Spanish as the main language to materialise their factchecking actions and the analysis of contents published aims at understanding where these companies develop their activities, how are them internally organized and which methods they use to translate the data obtained to the audience. Results show that most of fact-checking projects in Spanish-launched most of them in the period 2014-2016remain active. In South America, these organizations have more weight. Most of them have a journalistic nature, although there is a large number of civic and independent projects. Among strategies for verification, text is the preferred formula, although some innovative methods to present the degree of accuracy of assessed contents have been found.

This article reflects on the conceptualisation and practise of journalism in European digital native media. The way news is produced and consumed in the digital era knocks down the boundaries that once divided professionals, citizens, and activists. At the same time, significant changes highlighted in recent studies call for a new theoretical and practical approach that goes beyond the dominant perspective of technological determinism. In relation with previous research, we have selected innovative digital media platforms (<em>De Correspondent</em>,<em> Heidi.news</em>, <em>Eldiario.es</em>, <em>IlPost</em>, <em>Mediapart</em>,<em> </em>and <em>Observador</em>), and we have analysed the types of journalism they set out to produce, as gleaned from their public-facing communications and interviews with the platforms’ founders and editors, comparing their stated goals with the journalism they produce and, lastly, we commented on changes in journalism. Digital native media explore renewed fields for journalism. The present analysis allows identifying the emergence of a series of trends in digital native media, which show a coexistence of traditional and new principles. Beyond the technological impact, the new media respond to the needs of society by incorporating the citizen as a reason for its purpose and as a collaborator in production processes. On the other hand, new players and an updated role of journalists come into play with innovative proposals designed for the current multiplatform and mobile scenario.

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