Tradicionalmente, o setor dos cosméticos representa um dos segmentos mais fortes da economia nacional, no qual o Brasil segue como o 4º maior mercado consumidor mundial de produtos de beleza, atrás apenas do Japão, China e Estados Unidos. Depois de pesquisas em bases de artigos científicos, o estudo verificou que a própolis vermelha possui propriedades químicas e biológicas de grande aplicabilidade para o setor dos cosméticos. Neste monitoramento foram utilizadas seis bases patentárias, entre elas uma nacional, sendo possível verificar que, a partir de 2004, houve um maior fluxo de pedidos de patentes envolvendo a própolis vermelha, cuja a maioria dos titulares é pessoas jurídicas. Concluiu, depois de harmonização dos dados monitorados, que há um enorme potencial para o uso de compostos à base de própolis vermelha no ramo dos cosméticos, destacando-se as patentes sob aclassificação A61K, despontando os escritórios japonês e brasileiro como os que possuem o maior número de pedidos publicados.
<!--[if gte mso 9]><xml> <o:OfficeDocumentSettings> <o:AllowPNG/> </o:OfficeDocumentSettings> </xml><![endif]--><p style="margin-top: 0cm; margin-right: 0cm; margin-bottom: 6.0pt; margin-left: 0cm; text-align: justify;"><span style="color: black;">Tradicionalmente, o setor dos cosméticos representa um dos segmentos mais fortes da economia nacional, onde o Brasil segue como o quarto maior mercado consumidor mundial de produtos de beleza, atrás apenas do Japão, China e Estados Unidos. Após pesquisas em duas bases de artigos científicos, verificou-se que a própolis vermelha possui propriedades químicas e biológicas de grande aplicabilidade para o setor dos cosméticos. Para o presente monitoramento foram utilizadas seis bases de buscas patentárias, dentre elas uma nacional, onde foi possível verificar que, a partir de 2004, houve um maior fluxo de pedidos de patentes envolvendo a própolis vermelha, sendo a maioria dos titulares pessoas jurídicas. Concluiu-se, após harmonização dos dados monitorados, que há um enorme potencial para o uso de compostos à base de própolis vermelha no ramo dos cosméticos, despontando os escritórios japonês e brasileiro como os que possuem o maior número de pedidos publicados.</span></p><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves/> <w:TrackFormatting/> <w:HyphenationZone>21</w:HyphenationZone> <w:PunctuationKerning/> <w:ValidateAgainstSchemas/> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF/> <w:LidThemeOther>PT-BR</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables/> <w:SnapToGridInCell/> <w:WrapTextWithPunct/> <w:UseAsianBreakRules/> <w:DontGrowAutofit/> <w:SplitPgBreakAndParaMark/> <w:EnableOpenTypeKerning/> 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Este artigo apresenta como foi desenvolvida uma pesquisa-ação de natureza descritiva e aplicada, na qual o método indutivo tem como foco analisar a abordagem de direito autoral vivenciada pelos artistas visuais atendidos pelo Projeto “Redes Criativas” do Serviço Brasileiro de Apoio às Micro e Pequenas Empresas em Alagoas (SEBRAE/AL), no município de Maceió (conhecido como Redes Sebrae), com o intuito de traçar um manual de direitos de autor para artistas visuais com linguagem acessível e simplificada que será disponibilizado nas redes sociais para download por meio de link.
The continuous construction of human identity permeates the complex dimension of Culture and the cut of Art that initially differentiates us from other living beings. This article proposes to analyze the interaction of copyright and creative commons from the perspective of the Visual Arts in the panorama of contemporary Brazilian reality. The problem faced is whether there is in national copyright law an effective right of choice between the contemporary visual artist between copyright and creative commons when designing his work and making it available to the public for economic purposes or not. We admit the following hypotheses: the existing legal apparatus and provided to the intellectual creator is enough to be concrete between the choice of all rights reserved or some reserved rights. Or, is not there enough dissemination for the understanding and exercise of choice. A qualitative study of the commons licenses and Law no. 9.610 / 98 is carried out using the deductive analysis, based on disseminated data, specialized literature and theoretical reference. The results point to a still nebulous atmosphere of discussion, appropriation and reflection on the impact of copyright in the diffusion, even economic, of works of art. However, we conclude that we are at an early stage of perceiving a democratic transformation, since the right to choose is effective not by mere speculation, but by discussion and empowerment by the author of the speculative capital rules of the art market.
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