This article examines what qualifies as news when public agencies in Sweden claim to engage in media work. We unwrap and explore what happens when ideas about “newsworthiness” enter the practice of public sector communication. What becomes news, and how? What kinds of content are favored, how are stories told, and what voices are heard? The ideas of newsworthiness in a public sector context are here conceptualized as a logic of appropriateness that governs civil servants’ media work. We base our analysis on a three-year case study of a Swedish county council’s digital news channel, VGRfokus. The analysis focuses on how ideas of newsworthiness are constructed and mirrored in and through the content of VGRfokus, as well as how they are reflected and acted upon by communications professionals working at the news channel. We suggest that ideas of newsworthiness may function as a governing principle and tone down or even hide conflicts and tensions between key values of bureaucracy and market, otherwise often manifested in public sector communication.
The purpose of this article is to shed light on a new phenomenon in the media landscape, namely public organisations taking on the role of news producers. The analysis focuses on the digital news site VGRfokus, which is run by the Swedish county council Region Västra Götaland (VGR). The articulated goal of VGRfocus is to fill a perceived news gap in the county. Using previous literature on hyperlocal media as a lens for the analysis, we discuss how a regional news outlet produced by a public organisation can be characterised and understood. Based on our case study, we show that, while VGRfokus partly resembles other newcomers, it also has features that make it a very special news producer. This distinctiveness relates in particular to the fact that VGRfokus is part of a large, public organisation and holds ambitions to promote the work of the county council and represent its geographical area. This places issues concerning trustworthiness and credibility at the centre of the discussion and raises questions about democratic implications.
In this paper, we conduct a critical discourse analytical study of asylum interviews in order to contribute to knowledge and awareness of (a) how asymmetrical power relations are discursively (re)produced as well as manoeuvred and negotiated during the interaction and (b) what this means in terms of positioning of the participants. Focusing on a number of metacommunicative sequences characterised by a notably high degree of interpersonal complexity, we examine how participants are positioned and how positioning is discursively realised. We draw on eight observed and recorded asylum interviews conducted in Sweden 2018–2021. Metacommunicative positioning is analysed mainly with a focus on speech functions and modality. We show that metacommunication is used by all participants largely as a means of constructing an asylum narrative within the framework of an institutional discourse. The participants can position each other in (dis)advantageous ways in their attempts to deny, or sometimes claim, responsibility for miscommunication. The applicants generally obey the metacommunicative instructions given by other, more powerful participants. However, we also show an example of an applicant who makes resistance to the institutional discourse. Furthermore, all participants use metacommunication as a tool to guide each other in the conversation, thereby positioning themselves as responsible for the co-construction of the asylum narrative. Finally, we underline the benefits of conducting critical discourse analysis in the study of asylum interviews, although such studies can barely change the fact that the asylum determination process is unequal and asymmetrical in its core.
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