This paper examines how the process of social dynamics of the Angkola Batak takes place. There is a need for the Angkola Batak community to be able to understand the ins and outs of his family tree properly and correctly, by seeking identity their baldness which will later become the history of life. As we see a lot of today's society The Angkola Batak are again concerned about their ancestors, not just looking for grave land, instead find out about their tarombo and then form a network in line with tarombo the. The research method used in this research is a qualitative approach to be able to produce descriptive data regarding the processes of ongoing socio-cultural dynamics. The problem discussed is how the processes of community interaction what happened, and what caused the community to care about the village again page. Have a positive impact on efforts revitalization of these aborigine values as historical sources. The Batak land of Angkola is an ancestral land passed down hereditary as evidence of the existence of a clan in the lifetime of the ancestors who introduced to the next generation. Deep maintaining the Batak culture of Angkola in particular, the parents did formations of the unity of the descendants of the ancestors. This unity will later function strengthening the existing kinship system, becoming a learning platform for the younger generation in knowing the ins and outs of their ancestors and knowing the existing kinship system in Angkola culture.
This study aims to describe the traces of social history in the traditional craft of Batubara songket in Batubara Regency. Songket Batu Bara woven fabric continues to evolve with the times, songket has even become a popular choice for traditional Malay wedding attire, especially in Batu Bara regency. This study uses a descriptive qualitative research method. Data collection was carried out by observation, document analysis, interviews, and literature studies. Qualitative descriptive data analysis techniques were used in this study. The results of this study indicate that the Batu Bara Malay songket woven fabric is a traditional woven fabric that has become a cultural heritage for the Batu Bara people. Batu Bara Malay Songket was already known during the reign of the Batu Bara Sultanate. The functions of the Malay Batu Bara woven songket include, as a reinforcement of identity, an expression of love, to maintaining the continuity and stability of Malay culture, when someone wears a Malay songket, they are already carrying out the function of the Malay songket woven fabric and also developing culture.
Interpretation of symbols in Simalungun pictures the benchmark the ethnic's identity and activity, including their governing system. Symbols which underlie the life of Simalungun ethnic are called Habonaron Do Bona and Sapangambei Manoktok Hitei. Habonaron Do Bona, which means of the truth, is the most basic and important thing that covers the whole aspects of life. It becomes a symbol of Simalungun Government recognized as a symbol that means of upholding the truth. This term can be accumulated in the daily activities of Simalungun ethnic who has ahap Simalungun. This research finds posiive influence of Habonaron Do Bona and Sapangambei Manoktok Hitei, meaning something is done together, then the purpose or what aspire will be quickly achieved and implemented. Like building a bridge, it cannot be finished alone, but with a lot of people, it means that when they do mutual cooperation, it will be quickly finished to make the great bridge that eventually develop the acceleration of progress and prosperity with the truth.
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