This study aimed to analyse the dialogic communication by The House of Representatives through Instagram of the Republic of Indonesia (DPR-RI) as part of public institutions. This study is prompted by the low public trust in DPR using dialogic communication in Instagram. DPR-RI Instagram account is one of the most popular accounts among Indonesian government bodies’ Instagram accounts. Having 470,000 followers, DPR_RI’s Instagram has uploaded 6,347 photos and videos. The research method used was quantitative content analysis. This study also used thematic units that examined the topic or discussion of a text. The populations in this study were the posts on the Instagram account of DPR RI (@dpr_ri) from January 2015 to December 2020. The sample in this study amounted to 600 posts where, in each year, 100 posts were taken as a sample. The result indicates that DPR Instagram account has not applied the principle of dialogic communication. The low number of posts suggesting a dialogue with the public and stakeholders signifies this finding. DPR could use the results of this study to improve their public communication, especially in the use of social media.
This study aims at disclosing the practices of Islam in Indonesia framed in the films by Nurman Hakim, among them are 3 Doa 3 Cinta (3 Prayers 3 Love) (2008), Khalifah (2011), and Bid'ah Cinta (2017). These three films portray the religious reality of Islamic society in post-reform Indonesia. The permeation of transnational Islamic practices, especially those adopted from the Middle East, is believed to have the potential to become a radical Islam and threaten the existence of a cultural Islam that promotes tolerance and appreciates the existence of Indonesian culture. Through the production of Islamic-themed films, Nurman Hakim believes that film is a representation of society and its era. Therefore, the film depicts socio-political, cultural, ideological, and religious circumstances in society. This is where a filmmaker has a very important role in producing the film. In his conscious and subconscious mind, a filmmaker will bring out all that has been absorbed from his surroundings. The audience can read the religious views of a filmmaker through the created film products. Using the perspectives of cultural studies and critical multiculturalism, this study perceives that the creation of Nurman Hakim films is not only to maintain inclusive cultural Islam but also to ward off the exclusive and scriptural radical Islam in understanding the holy verses of the Qur'an and hadith. Nurman Hakim's films also become the antithesis of mainstream Islamic-themed films that referred to the success of the Ayat-Ayat Cinta of Love movie which had adopted Middle Eastern Islamic identity.
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