This article adds to contemporary analyses of neoliberalism by shedding light on its psychic life. Writers in the Foucauldian tradition have explored how subjectivities are reconstituted under neoliberalism, showing that the neoliberal self is an entrepreneurial subject. Yet, there has been little empirical research that explores entrepreneurial subjectivity and, more specifically, its psychic life. By drawing on over 60 in-depth interviews with individuals who may be entrepreneurial subjects par excellence, this article adds to our understanding of how neoliberalism is lived out. The article is divided into 10 sections, with each section exploring a distinct contour of entrepreneurial subjectivity. They show, for example, that competition is not only other-directed under neoliberalism, but also directed at the self, and that exclusionary processes lie at the heart of the constitution of entrepreneurial subjectivities. By providing a theoretically informed analysis of a wealth of empirical data, the article makes an original contribution to our understanding of the psychic life of neoliberalism.

Postfeminism remains a relatively unexplored concept for scholars in the area of gender and organizations. In this article we first provide theoretical perspectives on postfeminism and elaborate a critical approach to it. Postfeminism is seen as a concept, rather than an identification, that can assist in understanding the patterning of gender in the modern workplace. The second part of the article illustrates different discursive moves that we observed in our own research exploring how sexism is repudiated and how gender fatigue is enacted. This meta‐theme is supported by four discursive moves: first, gender inequalities are routinely allocated to the past or, secondly, to other countries or contexts; third, women are seen as the advantaged sex; and fourth, the status quo is accepted as just how workplaces are. The article thereby makes a contribution to understanding the patterning of a postfeminist sensibility both theoretically and empirically in the work context.

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This chapter explores the gendered dynamics of self‐promotion by drawing on 64 in‐depth interviews with female, classically trained musicians in London and Berlin. As in other sectors in the cultural industries, the ability to self‐promote is considered key to finding employment. However, many research participants were reluctant to engage in self‐promotion. First, it was associated with pushy behaviour that conflicts with normative expectations that women are modest. Second, self‐promotion was regarded as a commercial activity and positioned as unartistic. Taking into account that women have been constructed as the artist's Other, engagement in self‐promotion may threaten their already tenuous status as artists. Lastly, the notion of selling yourself may evoke the spectre of prostitution due to the sexualization of female musicians and the fact that it is mainly women who sell their bodies. As I will show, these gendered dynamics do not mean that female musicians are unable to pursue self‐promotion, but that they engage in a range of discursive strategies to negotiate and secure their identities as female artists.

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Even though the normativity of heterosexuality has come into question in recent years, heterosexual norms continue to figure as a structuring principle in contemporary social life. Drawing on 40 qualitative interviews with a diverse group of young German and British women, this article analyses empirical research on feminist disidentification to show that heteronormativity plays a central role in young women’s negotiations of feminism. Numerous respondents established a link between feminism, unfemininity, man-hatred and lesbianism. By exploring constructions of ‘the feminist’, and by reconceptualizing the figure of ‘the feminist’ as a constitutive outside of heterosexual norms that haunts the interviews, this article foregrounds the importance of examining the dimension of sexuality in analyses of contemporary social phenomena.

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