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This paper is concerned with two decades when musical piracy was rampant, the 1770s and 1780s; with two cities where it flourished: Paris, a performing and publishing capital, and Leipzig, a centre of music copying; and with two imaginative men who sought panaceas or, in their view, rational solutions to the problems of piracy in music. One of these was relatively famous, Johann Gottlob Breitkopf; the other, Christian Gottfried Thomas, virtually unknown.
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