Abstract:The study of fashion designers in Montreal allows us to examine the support they can get for their career as a model for creative careers, as well as the management support that can be given to creative careers and industries to reduce risk in their activity. As part of a research on the fashion cluster in Montreal, we investigated the role of intermediary organisations in the support and risk reduction for professional trajectories of designers. To achieve a good understanding of skills deployed by the creators/designers in their fashion design trajectory, our research examines the most important management and financial supports for the determinant moments in these creative careers. The paper highlights the role of connexions and interactions, as well as the role of the local support organisations and professional associations.

Our article addresses the evolution of the fashion designer career over the last century, and situates this in the context of the "creative city" of Montréal: "UNESCO City of design" (2006). In the context of the complex world of local fashion, one form of the World of Art [1], we explore the reality of the flexible career and theprecarious form of work of fashion designers in Montreal. For this, we present a brief historical overview of the development of the profession in order to understand how the profession of fashion design has emerged locally and how careers have developed and transformed over the years and the designers' life courses. After this overview, we examine the more recent development and the new vision of this profession in the context of the creative economy and particularly the paradox of a career situated between the artistic endeavour and the entrepreneurial and financial challenges. Methodologically, this study is based on a literature review as well as on three series of interviews conducted over the past years (2010-2013) with some (48) designers as well as organizations and associations working in the fashion industry. However, here we use mainly the case of one designer, Jean-Claude Poitras, as a particular illustration.

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