2014
DOI: 10.1504/ijkbd.2014.063991
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Knowledge sharing and development of creative fashion designers' careers: the role of intermediary organisations

Abstract: Abstract:The study of fashion designers in Montreal allows us to examine the support they can get for their career as a model for creative careers, as well as the management support that can be given to creative careers and industries to reduce risk in their activity. As part of a research on the fashion cluster in Montreal, we investigated the role of intermediary organisations in the support and risk reduction for professional trajectories of designers. To achieve a good understanding of skills deployed by t… Show more

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Cited by 10 publications
(12 citation statements)
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References 40 publications
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“…Some recent works have stressed the importance of relational capital in the context of intellectual capital and knowledge flows and business development (Bontis, 2001;Tremblay and Yagoubi, 2014); this research confirms this role for IT and gaming.…”
Section: Resultssupporting
confidence: 76%
See 1 more Smart Citation
“…Some recent works have stressed the importance of relational capital in the context of intellectual capital and knowledge flows and business development (Bontis, 2001;Tremblay and Yagoubi, 2014); this research confirms this role for IT and gaming.…”
Section: Resultssupporting
confidence: 76%
“…As creative capital is more and more the object of attention in critical/unorthodox views on innovation, we also wanted to determine to what extent IT firms could be interested in more creative sources of knowledge in order to be more competitive on the basis of creative ideas, leading to more innovation, as had been observed in other sectors, such as fashion (Tremblay and Yagoubi, 2014). It seems the interest is limited to some firms that are more active in the gaming industry, while the more traditional large IT firms are less open to the creative talents, or don't really see the interest for their business.…”
Section: Resultsmentioning
confidence: 99%
“…Following this designation, the Bureau de Design and the Bureau Mode Montréal (BMM) were created in 2009, proposing a new action plan, the fashion strategy "Montréal style libre" 6 and a new interactive and evolving online tool, the Fashion Map, showing the locations of the different designers and their venues (shops, stores, retailers) across the different neighbourhoods. Therefore, the city is distinguished by developing its creative talents (Pilati, Tremblay, 2008;Pecqueur, 2006), by being simultaneously an Anglophone and a Francophone "young city" (ED.2, our interview), by offering a favorable environment: low cost rents and quality of life (ED.1, our interview), and it has a "superb fine reputation within the Canadian context" (ED.3, our interview) [10].…”
Section: Montreal Hub Of Fashion and Design A Positive Context For Dementioning
confidence: 98%
“…First, many designers have had to move into new types of careers, more flexible and uncertain trajectories over their life course, as is often the case in creative careers [9] [10]. Second, new designers coming into the labour market are directly projected into less stable careers, as the more traditional "internal labour market" careers have been replaced by nomadic, "boundaryless" careers [8].…”
Section: Introductionmentioning
confidence: 99%
“…The provincial government initiated a working group after the 2012‐2013 budget comprised of twelve major firms in the fashion sector. One conclusion of the working group in 2013 was to create a fashion cluster for the industry to act collectively in a more important and structured way (Tremblay and Yagoubi ; Yagoubi and Tremblay ; Yagoubi and Tremblay ). The Montreal fashion cluster was launched in May 2015.…”
Section: Toronto’s Fashion Sectormentioning
confidence: 99%