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Ng, Eve; Russo, Julie Levin

doi:10.3983/twc.2017.1168

Cited by 3 publications

(1 citation statement)

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“…When each group returned to their locale to start-up their own project, a process which we supported and in some cases directly facilitated, it became possible to regularly share and thus co-create multiple versions of the different sections, from the construction of titles and order-words which they commented on and adapted, to the stories or links that would populate the further information section in 'Ideas for Change'. So, for example, regarding the latter, one young person's engagement with feminist fanzines and queer shipping (see Ng and Russo, 2017) informed the 'comics and zines' mode of change. Another young person's experience of sexual harassment in music gigs inspired us to include the five girls from @girlsagainst who were raising awareness of this form of assault and producing their own 'gig etiquette' (see Eaton, 2015), and the Rewind-Reframe online platform for young women to identify and challenge racism and sexism in music videos (see www.rewindreframe.org).…”

Section: Starting Out: Choreographing the Political With A Run-a-way mentioning

confidence: 99%

Becoming AGENDA: The Making and Mattering of a Youth Activist Resource on Gender and Sexual Violence

Renold¹

2019

RERM

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What happens when ‘the margin of manouverability’ (Massumi 2015, p.3) in a specific socio-political context is buzzing with promise and possibility? What might some crafty and serious play with the feminist posthuman ethics of research/er reponse-ability (Barad, 2007) cook up in such a conducive soup? This paper shares the pARTicipatory praxis that informed the making of ‘AGENDA: A Young People’s Guide to Making Positive Relationships Matter’ (Renold, 2016). AGENDA is a 75 page youth-activist bi-lingual (Welsh-English) interactive resource co-created with and for young people in Wales to address gendered and sexual violence. Crafted with an affirmative cut and nurturing a run-a-way praxis that secretes its own co-ordinates, AGENDA invites a care-ful re-mattering of ‘what matters’ when it comes to conventional healthy relationships education. The paper offers a careful cartography of how AGENDA unfolded as a lively resource that continues to matter as it connects to policy and practice assemblages that push-pull the agential becomings of AGENDA on its way.

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Section: Starting Out: Choreographing the Political With A Run-a-way mentioning

confidence: 99%

Becoming AGENDA: The Making and Mattering of a Youth Activist Resource on Gender and Sexual Violence

Renold¹

2019

RERM

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Slash

Busse¹

2020

The International Encyclopedia of Gender, Media, and Communication

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Slash describes creative fan works featuring same‐sex romantic and sexual relationships, often expanding on homosocial bonds in the source texts. Broadly, it can be used as a general descriptive genre of homoerotic transformative art, but more commonly it means a specific historical, social, and economic category connected to media fandom, the creative primarily female fan communities of live‐action Western TV shows from the 1960s onward. Slash fan fiction has been a central focus of fan and audience studies: its primarily female readers and writers as well as its explicit homoerotic prose defies easy explanations of women's genres and media receptions. Moreover, its often‐aggressive alternate readings of popular media texts exemplify reception models of resistant readings. Following greater visibility of queer characters and relationships on screen, slash continues to be popular especially in its exploration of non‐normative sexualities and sexual identities.

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Erotic Fan Fiction

Döring

2020

Encyclopedia of Sexuality and Gender

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Cited by 3 publications

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Becoming AGENDA: The Making and Mattering of a Youth Activist Resource on Gender and Sexual Violence

Becoming AGENDA: The Making and Mattering of a Youth Activist Resource on Gender and Sexual Violence

Slash

Erotic Fan Fiction

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