2011
DOI: 10.18848/2154-8560/cgp/v01i03/44209
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Visual Communication in Election Campaigns: An Analysis of Election Posters in the 2008 Austrian National Election Campaign

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Cited by 5 publications
(3 citation statements)
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“…Images have been part of political communication for a long time. Political TV-advertising (Griffin & Kagan, 1996), campaign posters (Hayek, 2011;Vliegenhart, 2012), cartoons (Connors, 2005) and even hand gestures (Straeck, 2008) have been studied (even though, mostly in an American setting). For instance, in their study on US presidential candidates' televised nonverbal communication Banning and Coleman (2009) found that visual cues have been shown to be important in affecting responses in viewers.…”
Section: Images In Political Communicationmentioning
confidence: 99%
“…Images have been part of political communication for a long time. Political TV-advertising (Griffin & Kagan, 1996), campaign posters (Hayek, 2011;Vliegenhart, 2012), cartoons (Connors, 2005) and even hand gestures (Straeck, 2008) have been studied (even though, mostly in an American setting). For instance, in their study on US presidential candidates' televised nonverbal communication Banning and Coleman (2009) found that visual cues have been shown to be important in affecting responses in viewers.…”
Section: Images In Political Communicationmentioning
confidence: 99%
“…Roland Barthes's (1977) theory of the rhetoric of the image is a common framework for the analysis of the meaning of images in campaigns. It is used to discuss imagery in political campaigns in relation to gender (Bauer & Carpinella, 2018), nationalism (White, 2016) and localism (Jacob & Munis, 2018), and the consistency of political messaging in campaigns across image and text (Dumitrescu, 2019;Hayek 2011;Teer-Tomaseli 2005;Visgo, 2013). Serazio (2017) discusses the importance of candidate branding, but without mentioning graphic design.…”
Section: Campaign Studies and Visual Contentmentioning
confidence: 99%
“…Hipotezę 1. sformułowano na podstawie wiedzy zarówno o konstrukcji (Kaminski, 2014;Pretorius, 2016;Thomas, 2012), jak i recepcji (Geise & Brettschneider, 2010;Hayek, 2011;Schmuck i Matthes, 2017) plakatów propagandowych, zgodnie z którą efektywność ich oddziaływania uzyskiwano przez wzbudzanie dwóch rodzajów emocji: strachu i rozbawienia (zastosowanie elementów humorystycznych). Różnice w koncentracji uwagi wzrokowej względem deklaracji respondentów (hipoteza 2.)…”
Section: Cel I Hipotezy Badawczeunclassified