2014
DOI: 10.1080/13527266.2013.875930
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Understanding branded flash mobs: The nature of the concept, stakeholder motivations, and avenues for future research

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Cited by 5 publications
(4 citation statements)
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“…Hutter and Hoffman (2011) defined guerrilla marketing as unconventional, low-cost publicity campaigns that have as a core purpose to attract the attention of target markets, causing surprise and prompting the audience to spontaneously collaborate with the campaign by spreading it through other consumers. Guerrilla marketing comprises ambient marketing, sensation marketing, and viral marketing (Hutter and Hoffman 2011), as well as more recent techniques as branded flash mobs (Grant, 2016). These approaches are characterized by being different and innovative when compared to traditional marketing techniques and have as an objective to instigate surprise by non-anticipation and emotion.…”
Section: Literature Reviewmentioning
confidence: 99%
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“…Hutter and Hoffman (2011) defined guerrilla marketing as unconventional, low-cost publicity campaigns that have as a core purpose to attract the attention of target markets, causing surprise and prompting the audience to spontaneously collaborate with the campaign by spreading it through other consumers. Guerrilla marketing comprises ambient marketing, sensation marketing, and viral marketing (Hutter and Hoffman 2011), as well as more recent techniques as branded flash mobs (Grant, 2016). These approaches are characterized by being different and innovative when compared to traditional marketing techniques and have as an objective to instigate surprise by non-anticipation and emotion.…”
Section: Literature Reviewmentioning
confidence: 99%
“…These approaches are characterized by being different and innovative when compared to traditional marketing techniques and have as an objective to instigate surprise by non-anticipation and emotion. Guerrilla marketing aims to challenge the saturation of traditional marketing communication means, living side by side with consumers (Nufer, 2013) and implementing unexpected communication practices to attract its targets (Grant 2016). McNaughton (2008) argues that the main power of guerrilla communication lies in its public relations' role, overcoming traditional media saturation and fragmentation, and driving consumer interaction.…”
Section: Literature Reviewmentioning
confidence: 99%
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“…Marketers, eager to capitalize on flash mobs' potential for promoting products or fostering brand awareness, latched on (cf. Grant, 2014;Lum, 2010). In Summer 2005, a series of 'flash concerts', sponsored by Ford Motor Company and Sony Digital Pictures, became emblematic of this cooptation: ten free unannounced-until-the-last-minute concerts performed by hot and emerging music artists in secret locations across the USA.…”
Section: The Virtuous Flash Mobmentioning
confidence: 99%