The urban art between environments: “folds” between the “material” town and cyberspace

Diógenes, Glória

doi:10.4000/etnografica.4105

Cited by 8 publications

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References 4 publications

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“…38 Glória Diógenes (2015) implementa "um itinerário marcado por intervenções de artistas urbanos que se moviam entre uma zona de Lisboa e ambiências das redes sociais digitais". Em alusão a um Atlântico negro, caracterizado pela diáspora africana, Paul Gilroy menciona a diversidade e a vitalidade da música negra cubana, jamaicana e brasileira do século XX pontuando que "a alienação natal e o estranhamento cultural são capazes de conferir criatividade e de gerar prazer" (Gilroy, 2012: 20).…”

Section: Figura 7 -Jogadores Do Brasileirinho Comemoram Uma Vitóriaunclassified

Comunidade Visível: Narradores de memórias e suas práticas de imagem

Kardozo

Diógenes

2021

Rev. Ilum.

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Este texto busca compreender como a partilha de acervos pessoais de imagens potencializam a produção de constelações de memórias, promovem narrativas de si e sentimentos de pertença. Partindo da comunidade Poço da Draga em Fortaleza, caso exemplar de resistência a tentativas recorrentes de remoção, o artigo mapeia algumas de suas “práticas de imagens” efetuadas por meio de dispositivos móveis, destacadamente entre ex-jogadores do Brasileirinho, time local de “futebol de subúrbio”. Partindo uma antropologia compartilhada, desenvolvemos ao longo de 04 anos oficinas de fotografia e exercícios de escuta junto a seus narradores que chamamos “memorialistas de esquina”. Tomamos por “comunidade visível” essa multiplicidade que no Poço da Draga faz ver e se dá a ver. Identificamos ali a partilha de fotos e narrativas como tática contra os riscos de esgarçamento dos fios que tecem suas histórias. O artigo também mostra as práticas de imagem desses narradores em oposição à necropolítica operada contra as populações negras no Brasil e os considerados indesejáveis. Palavras-chave: Antropologia. Imagem. Memória. Negritude. Futebol de Subúrbio. VISIBLE COMMUNITY: MEMORY NARRATORS AND THEIR PRACTICES OF IMAGE Abstract: This text seeks to understand how the sharing of personal collections of images enhances the production of constellations of memories, promotes self-narratives and feelings of belonging. Departing from the Poço da Draga community in Fortaleza, an exemplary case of resistance to recurrent removal attempts, the article maps some of its “practices of images” carried out using mobile devices, especially among former players from Brasileirinho, the local soccer team. Working in a shared anthropology, we developed over 4 years photography workshops and listening exercises with their narrators witch we call “corner memorialists”. We define “visible community” the multiplicity that in Poço da Draga makes us see and makes itself seen. There, we identified the sharing of photos and narratives as a tactic against the risks of fraying the threads that weave their histories. The article also shows the practices of images of these narrators in opposition to the necropolitics operated against black populations in Brazil and those considered undesirable.Keywords: Anthropology. Image. Memory. Blackness. Soccer.

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Section: Figura 7 -Jogadores Do Brasileirinho Comemoram Uma Vitóriaunclassified

Comunidade Visível: Narradores de memórias e suas práticas de imagem

Kardozo

Diógenes

2021

Rev. Ilum.

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Public art and social media: street art tourism, sociocultural agency and cultural production in contemporary Lisbon

Castellano

Raposo

2023

Community Development Journal

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This essay engages with Guias do Mocho [Mocho’s Tourist Guides], a bottom-up cultural tourism initiative emerging in Quinta do Mocho, a ‘peripheral’ neighbourhood of Lisbon, as a way of problematizing the relationship between public and street art and social media aesthetics. Scholarship on digital creative industries and street art tourism tends to emphasize the complicities of this kind of cultural experience with neoliberal understandings of the urban space. By examining an example of bottom-up, localized guided tours that operates through social media in the context of peripheral areas of Lisbon, we argue that public art and social media should be seen as part of a more complicated correlation, one in which the affects and effects of creative, site-specific projects are actively developed and expanded in unforeseen ways. Our research demonstrates that public art and social media are mutually developing a renewed economy of attention and system of valorization. The critical examination of both elements is compulsory when measuring the impact of art-driven processes of community development.

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Public Strategies for the Promotion of Urban Art: The Lisbon Metropolitan Area Case

Campos

Barbio

2021

City & Community

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Urban art has emerged as a new feature of cities in recent decades. Its wide success as a fresh, youthful, and cosmopolitan artistic movement has elicited the attention of urban planners, who increasingly use it in their strategies for urban development. This artistic expression has been understood as a resource to be used in urban and cultural policymaking, especially when it comes to urban reassessment and marketing. This dynamic is embedded in a paradigm where the arts and culture are increasingly understood as resources for urban development and city marketing. In this article, we draw on qualitative empirical material (interviews, official documents, press releases, websites) from an ongoing research project in the context of the Lisbon Metropolitan Area. One of the aims of this project is to analyze the link between local authorities and urban art aiming at understanding existing representations and the kinds of strategies that were put in place for its management. We conclude that largely local authorities use urban art to achieve three main strategic goals: the strategy of “landscape construction and urban reassessment,” the strategy of “refashioning the city image/city branding,” and the strategy of “social promotion of stigmatized territories and communities.”

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The urban art between environments: “folds” between the “material” town and cyberspace

Cited by 8 publications

References 4 publications

Comunidade Visível: Narradores de memórias e suas práticas de imagem

Comunidade Visível: Narradores de memórias e suas práticas de imagem

Public art and social media: street art tourism, sociocultural agency and cultural production in contemporary Lisbon

Public Strategies for the Promotion of Urban Art: The Lisbon Metropolitan Area Case

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