2013
DOI: 10.5007/2175-8026.2013n64p135
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The role of multimodality labs in multiliteracy projects

Abstract: Abstractin contemporary society, there has been an increasing pervasiveness of images, sounds, shapes and bodily expressions in our everyday lives. a number of academic studies have addressed such meaning-making resources in varying theoretical and methodological perspectives, with the general goal of describing and understanding how these semiotic modes 1) are constituted, 2) construe representations of our experiences in the world, and 3) can be addressed in educational contexts in order to help learners be … Show more

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Cited by 7 publications
(8 citation statements)
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“…Although the "rapidly growing realization that representation is always multiple" (KRESS; van LEEUWEN, 2006, p. vii), multimodality was not immediately given the status of a field of study (BEZERRA;NASCIMENTO, 2013). Publications have been proposed since the 1990s (O'TOOLE, 1994;KRESS;van LEEUWEN, 1996;2006), but these frameworks were not until recently "adopted, explored and extended in multimodal approaches to communication" (BEZERRA; NASCIMENTO, 2013, p. 156).…”
Section: Introductionmentioning
confidence: 99%
“…Although the "rapidly growing realization that representation is always multiple" (KRESS; van LEEUWEN, 2006, p. vii), multimodality was not immediately given the status of a field of study (BEZERRA;NASCIMENTO, 2013). Publications have been proposed since the 1990s (O'TOOLE, 1994;KRESS;van LEEUWEN, 1996;2006), but these frameworks were not until recently "adopted, explored and extended in multimodal approaches to communication" (BEZERRA; NASCIMENTO, 2013, p. 156).…”
Section: Introductionmentioning
confidence: 99%
“…Os gêneros multimodais se tornam cada vez mais interesse de estudos de linguistas aplicados (BEZERRA; NASCIMENTO, 2013 …”
Section: Introductionunclassified
“…Multimodal genres have increasingly become interesting for applied linguists (BEZERRA; NASCIMENTO, 2013). This study aimed at analyzing sexual assault victims' photographs of the unbreakable project using the Grammar of Visual Design (KRESS, VAN LEEUWEN; 2006) as analytical tool.…”
Section: Introductionmentioning
confidence: 99%
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