The Rhythm Pattern Adaptation of Langgam Jawa in Kroncong

Rachman, Abdul; Utomo, Udi

doi:10.2991/iconarc-18.2019.78

Cited by 4 publications

(5 citation statements)

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“…Musik langgam jawa merupakan salah satu musik asli dari Indonesia yang tumbuh dan berkembang baik di Indonesia serta mendapatkan tempat di masyarakat (Rachman & Utomo, 2019). Alunan musik langgam jawa dapat menjadi media penting dalam proses penyembuhan karena menimbulkan perasaan yang menyenangkan (Castika & Melati, 2019).…”

Section: Terapiunclassified

Efektivitas Waktu Terapi Musik Langgam Jawa Terhadap Tekanan Darah Pada Lansia Hipertensi Di Desa Muara Rengas

Putri¹,

Muflih²,

Damayanti³

2020

COPING

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When listening to music, the body responds releasing dopamine from the body. The release of dopamine causes vasodilation of blood vessels so that it will affect a person's blood pressure. The standard length of time for Javanese langgam music therapy in previous studies was found to be different. Therefore, it is necessary to do research to compare its effectiveness.The purpose of this research to determine the effectiveness of Javanese langgam music therapy time on blood pressure in elderly persons with hypertension in Muara Rengas village. This research uses a quasi-experimental method with pre and post control design, the selection of respondents uses a non-probability sampling with a consecutive sampling method. The Wilcoxon test, Paired T-Test, Mann Whitney and Independent T-Test show there is an effect of Javanese langgam music therapy on blood pressure in elderly persons with hypertension in the 15-minute group with a systolic p value of 0.000 (<0.05) and a diastolic p value of 0.013; and in the 30-minute group with a p value of 0.008 (<0.05) and a diastolic p value of 0.029 (<0.05). There is no effectiveness difference on blood pressure after being given Javanese music intervention for 15 minutes and 30 minutes with a systolic p value of 0.320 (>0.05) and a diastolic p value of 0.576 (> 0.05). Based on research results there is no effectiveness difference between 15-minute and 30-minute Javanese langgam music intervention in elderly persons with hypertension.

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Section: Terapiunclassified

Efektivitas Waktu Terapi Musik Langgam Jawa Terhadap Tekanan Darah Pada Lansia Hipertensi Di Desa Muara Rengas

Putri¹,

Muflih²,

Damayanti³

2020

COPING

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“…Keroncong, in the 1990s, al-ready had a huge position in its event (Darini, 2012;Rachman, 2013). Moreover, the keroncong community that brings hybrid keroncong or combines keroncong with other types of music to create new types of keroncong music, such as congdut (keroncong and dangdut / melodious music genres in Indonesia), congpop (keroncong and pop), and congrock (keroncong and keroncong stone) began to appear (Rachman, et al, 2018;Rachman & Utomo, 2019).…”

Section: Keroncongmentioning

confidence: 99%

“…Standard keroncong rhythm patterns are characterized by recognizable patterns, although they are varied. Nonetheless, the basic rhythmic form does not change; only does the tempo, accentuation, and tone color (Utomo & Rachman, 2019).…”

Section: Introductionmentioning

confidence: 99%

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Mimicry and Hybridity of “Congrock Musik 17” in Semarang

2020

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Keroncong, a slow and crooning music, serves as the art and culture that reflects Indonesian identities. This music style still exists today, particularly in Semarang that is widely known as an urban area. The resistance of such music is actualized with the process of mimicry and hybridity of keroncong and rock music, causing pros and cons that lead to a crisis. The performed mimicry and hybridity is a negotiation in identity construction that takes place in ambivalent behavior as a strategy to survive from the crisis. Building an identity of Congrock (keroncong and rock) is carried out to explore the mediation form in the third space, enabling the outlining of the position of Congrock identity in Semarang. A case study, an art research method, and historical reading were employed to interpret the existing phenomenon. The result indicated that the Congrock identity was the result of mimicry and hybridity that was formed due to the hegemony in Indonesia. Mimicry and hybridity had become the most important point because they took place in an urban area, such as Semarang. The integration of local and global cultures in Congrock generated a new identity in society as the third space and created a gray zone in Congrock, i.e., the area between the form of imitation and cross-cultural music integration. The position of Congrock in Semarang became a symbol of freedom in negotiating locality while partially articulating modernity.

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“…Nowadays keroncong performances have experienced many developments, many keroncong orchestras, musicians, and keroncong music figures have made innovations in presenting keroncong music with the aim of maintaining and preserving the keroncong music itself, including the collaboration of keroncong music with other music genres. Rachman & Utomo (2018), Ramadhani & Rachman (2019), and (Sanjaya, 2018) which revealed that there were innovations in the form of performances in the form of collaborating keroncong music with other types of music, namely the form of Keroncong Jazz (Cong Jazz), Keroncong Rock (Cong Rock), Keroncong Orchestra (Congkestra) and the addition or use of wind instruments such as oboe, a brass section in keroncong music performances. Furthermore, Rachman&A'yun (2019) explained the innovation of keroncong music called Keroncong in Jamaican Sound, which is keroncong music that is collaborated with ska, rocksteady, reggae music.…”

Section: Introductionsmentioning

confidence: 99%

Ngeroncongi And Ngepop : A Study Of Popular Song's Vocal Performance In Keroncong Music In Semarang

Zilmi

Rachman

Muttaqin

2021

jsm

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Keroncong Music is a music that has different character from other musics, including several techniques in vocal performance, such as luk, nggandul, embat, gregeland cengkok. Nowadays keroncong music does not only perform keroncong songs but also performs popular songs accompanied by keroncong music. When performing popular songs accompanied by keroncong music, usually the performance of each singer will be different. This study aims to determine how the vocal performance of popular songs in keroncong music. The research method used was qualitative. Data collection techniques used observation, interviews, and document study. The results showed that in performing pop songs with a slow tempo accompanied by keroncong music, the techniques used by keroncong singers tended to be Ngeroncongiwhich means that singers still use some keroncong singing techniques such as luk, nggandul, embat, gregel, and cengkokalthough the songs performed have pop genre. Whereas in performing pop songs in fast tempo that are accompanied by keroncong music, the techniques used by keroncong singers tend to pop (ngepop), which means the singers still show pop techniques and improvisation.

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The Rhythm Pattern Adaptation of Langgam Jawa in Kroncong

Cited by 4 publications

References 0 publications

Efektivitas Waktu Terapi Musik Langgam Jawa Terhadap Tekanan Darah Pada Lansia Hipertensi Di Desa Muara Rengas

Efektivitas Waktu Terapi Musik Langgam Jawa Terhadap Tekanan Darah Pada Lansia Hipertensi Di Desa Muara Rengas

Mimicry and Hybridity of “Congrock Musik 17” in Semarang

Ngeroncongi And Ngepop : A Study Of Popular Song's Vocal Performance In Keroncong Music In Semarang

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