Ngeroncongi And Ngepop : A Study Of Popular Song's Vocal Performance In Keroncong Music In Semarang

Zilmi, Fauziatus; Rachman, Abdul; Muttaqin, M. Zaenul

doi:10.15294/jsm.v10i1.46812

Cited by 3 publications

(3 citation statements)

References 5 publications

(6 reference statements)

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“…Luk adalah nada hias atau sejenis legato yang dinyanyikan dengan nada melengkung sebelum menuju ke nada yang seharusnya (Zilmi, Rachman, and Muttaqin 2021). Luk adalah bagian dari pada cengkok, bagian yang memperindah cengkok, yang memperindah lagu.…”

Section: Hasil Dan Pembahasanunclassified

Implementasi Teknik Vokal Luk, Gregel dan Crooning dalam Repertoar Tristeza

Anindhita,

Siswanto,

Setiarini

et al. 2023

PROMUSIKA

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Penulisan ini membahas tentang bagaimana implementasi teknik vokal luk, gregel, dan crooning pada repertoar Tristeza dengan iringan combo keroncong. Teknik vokal luk, dan gregel merupakan teknik vokal yang digunakan dalam menyanyikan repertoar keroncong. Luk dapat diartikan sebagai bagian dari cengkok yang memperindah pembawaan lagu. Kemudian gregel merupakan hiasan dari nada yang bergerak dengan cepat. Pada penulisanya gregel dapat ditulis dengan tanda inverted mordent. Teknik vokal crooning merupakan teknik bernyanyi ringan seperti berbicara. Tristeza merupakan repertoar musik latin. Musik keroncong dan musik latin merupakan musik yang berasal dari akar yang sama. Musik latin memiliki ciri pada permainan ritmik yang kerap dipegang oleh instrumen perkusi, 2 sedangkan ciri khas musik keroncong terletak pada instrumen cak, dan cuk. Penelitian ini merupakan penelitian kualitatif dengan penerapan metode studi dokumen, wawancara dan diskografi. Hasil yang diperoleh berupa sajian musik dengan repertoar Tristeza yang telah diaransemen dibawakan dengan iringan combo keroncong, dan implementasi teknik vokal luk, gregel, dan crooning. Dengan demikian menghasilkan nuansa musik yang baru.AbstractImplementation of Luk, Gregel, and Crooning Vocal Techniques in the Tristeza Repertoire. This writing discusses how the implementation of luk, gregel, and crooning vocal techniques in the Tristeza repertoire with keroncong combo accompaniment. Luk, and gregel vocal techniques are vocal techniques used in singing keroncong repertoire. Luk can be interpreted as part of the cengkok that beautifies the rendition of the song. Then gregel is a decoration of a tone that moves quickly. In writing gregel can be written with an inverted mordent sign. Crooning vocal technique is a light singing technique like talking. Tristeza is a Latin music repertoire. Keroncong music and Latin music come from the same roots. Latin music is distinguished by its intricate rhythmic patterns, often driven by percussion instruments, whereas keroncong music is defined by the distinctive sounds produced by the cak and cuk instruments. This research is a qualitative research with the application of document study, interview and discography methods. The results obtained are in the form of a musical presentation with the Tristeza repertoire that has been arranged performed with keroncong combo accompaniment, and the implementation of luk, gregel, and crooning vocal techniques. Thus producing new musical nuances.Keywords: Luk; Gregel; Crooning; Latin; Keroncong

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Section: Hasil Dan Pembahasanunclassified

Implementasi Teknik Vokal Luk, Gregel dan Crooning dalam Repertoar Tristeza

Anindhita,

Siswanto,

Setiarini

et al. 2023

PROMUSIKA

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“…The era of globalization also makes keroncong music increasingly excluded from society because the era of globalization causes foreign cultures to enter Indonesia very easily and affects the behavior of Indonesian people so that many people, especially teenagers, are increasingly unfamiliar with their own culture. Teenagers have no experience in playing their own traditional music and are more interested in foreign cultures [12][13][14][15].…”

Section: Introductionmentioning

confidence: 99%

The Role of HAMKRI in Preserving Keroncong Music in Semarang

Rachman,

Utomo,

Sinaga

et al. 2022

Advances in Social Science, Education and Humanities Research

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This study intends to discuss the role of HAMKRI in preserving keroncong music, especially in the city of Semarang so that keroncong music still exists and is in demand by the public, especially the younger generation. This study used a qualitative method. Data collection techniques were carried out through observation, interviews, and documentation. Data analysis was carried out interactively with the following stages: (1) data collection; (2) data reduction; (3) data presentation; (4) conclusion. The results showed that the role of HAMKRI in preserving Keroncong music in Semarang was divided into three aspects, namely aspects of protection, utilization, and development. The protection aspect is by socializing Keroncong music to the public widely through keroncong music seminars, live broadcasts on radio, and keroncong music competitions. The utilization aspect is by organizing keroncong music performances which can be enjoyed and appreciated by the public for free. The development aspect is by arranging keroncong songs, adding several musical instruments other than the main instrument of Keroncong music.

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“…It can be seen from the interest of today's young generation who start to listen a lot to want to practice keroncong music. This can happen apparently because there are strong factors that push it, one of which is because of the very intense publications on social media so that large concerts or events of keroncong music are held in Indonesia Muhammad & Rachman, 2020;Rachman et al, 2022;Sokhiba & Rachman, 2021;Zilmi et al, 2021). Many keroncong music concerts are held in several big cities, ranging from weekly and monthly to big annual concerts, which are quite prestigious, especially among young people.…”

Section: Introductionmentioning

confidence: 99%

Virtual Keroncong Music Performances As An Effort To Maintain Their Existence During The Covid-19 Pandemic

Ardyanto¹,

Rachman

2022

jsm

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The COVID-19 pandemic has had a negative impact on various sectors of the creative industry, especially in the performing arts. The prolonged impact of the COVID-19 pandemic has caused activities in the performing arts sector such as performing arts and music concerts which are usually held regularly to be unable to run. To maintain its existence, O. K Tjong Young Gita Citra Alam held a virtual keroncong music performance through social media platforms. The purpose of this study is to identify and describe the use of social media platforms in organizing virtual keroncong music performances as an effort to maintain the existence and media promotion of musical works. This study uses a qualitative method with a phenomenological approach. Data collection techniques were done through observation, interviews, and document studies. Triangulation was carried out to test the validity of the data obtained before being analyzed using the stages of data collection, data presentation, data reduction, and conclusions. The results show that O. K Tjong Young Gita Citra Alam uses social media platforms such as YouTube and Instagram as a medium to organize virtual music performances as a promotion and introduces works and maintains their existence. Social media platforms such as YouTube and Instagram are very effective, practical, and efficient promotional media because information uploaded through YouTube and Instagram accounts can be conveyed easily and can be reached and accessed quickly and easily by people around the world using smartphones, laptops, and computers connected to the internet.

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Ngeroncongi And Ngepop : A Study Of Popular Song's Vocal Performance In Keroncong Music In Semarang

Cited by 3 publications

References 5 publications

Implementasi Teknik Vokal Luk, Gregel dan Crooning dalam Repertoar Tristeza

Implementasi Teknik Vokal Luk, Gregel dan Crooning dalam Repertoar Tristeza

The Role of HAMKRI in Preserving Keroncong Music in Semarang

Virtual Keroncong Music Performances As An Effort To Maintain Their Existence During The Covid-19 Pandemic

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