The co-creation (of) culture? The case of Umeå, European Capital of Culture 2014

Hudson, Christine; Sandberg, Linda; Schmauch, Ulrika

doi:10.1080/09654313.2017.1327032

Cited by 14 publications

(6 citation statements)

References 19 publications

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“…7. See Cox and O'Brien (2012), Crepaz et al . (2014), Cunningham and Platt (2018), Hansen and Laursen (2015), Hudson et al . (2017), O'Brien (2011), O'Brien and Impacts08 (2010) and Wahlin et al .…”

Section: Notesmentioning

confidence: 99%

Reading relationally: a proposal for relational-comparative research concerning city/capital of culture events

Grabher

2023

AAM

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PurposeGarcía and Cox (2013) have clarified that there is an urgent need for comparative studies of city/capital of culture (COC) events. With the ambition to foster exchange and learning, knowledge production concerning cultural initiatives requires to think beyond the individual case study of a singular event. Simultaneously, the two scholars observe comparability and context-sensitivity between events as a major issue in these particular canons of research.Design/methodology/approachDrawing upon the research experience of the project, this article experiments with a novel reading of city/capital of culture events.FindingsBeyond the singularity of a case study but with attention to context-sensitivities, the article proposes a relational reading practice to study the culture-led event framework. The author illustrates the proposed approach with material collected in ethnographic fieldwork in the cities of Donostia/San Sebastián, European COC 2016, and Hull, UK COC 2017.Originality/valueBy using one case study as a metaphorical pair of glasses framing the investigative perspective on the other, an analytical relationship between two COC events is established, fostering a broader prism of analysis and connected learning.

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Section: Notesmentioning

confidence: 99%

Reading relationally: a proposal for relational-comparative research concerning city/capital of culture events

Grabher

2023

AAM

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“…Analizados diferentes casos de distintas ciudades se puede concluir que la cultura y patrimonio cultural de los destinos resultan ser facilitadores del desarrollo de estos y, el turismo actúa en pro de ello (Richards, 2000), haciendo que las ciudades sean espacios que generan experiencias. La cultura es, así, un facilitador para alcanzar desarrollo económico y cohesión social (Hudson, Sandberg y Schmauch, 2017). Los eventos culturales y el desarrollo de turismo cultural han estado altamente presente en las capitales europeas de la cultura, lo cual ha facilitado mejoras en la economía local, incremento del reconocimiento de imagen de marca de destino, regeneración urbana y promover el consumo cultural junto con la generación de redes (Liu, 2014).…”

Section: Turismo Creativo Y Co-creaciónunclassified

Barrio Matadero-Franklin, de mercado popular a barrio artístico-cultural: conservación y capitalización, a través de turismo creativo y co-creación

Pareti¹,

Henche²

2021

ACE: Architecture, City and Environment

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“…For more than three decades this programme, described by some researchers (e.g., Immler and Sakkers 2014 ) as large-scale bottom-up cultural programming, has made cities across Europe compete for the accolade of ECoC. Given this history, the topic has attracted signifi cant research eff ort, with themes such as identity-building through ECoC (Sassatelli 2002 ), its empowering agency for regeneration (Meekes, Buda and De Roo 2017 ), and the reframing of heritage narratives (Hudson et al 2017 ; L ä hdesm ä ki 2014 ). With new guidelines in place for the period past 2019, the Heritages, identities and Europe 11 analysis of the present case study is timely, as it illustrates how one of the main programmes for strengthening European heritage and identity falls short of its mission.…”

Section: Europementioning

confidence: 99%

Heritages, identities and Europe

Kockel¹,

Craith²,

Clopot³

et al. 2019

Heritage and Festivals in Europe

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Traditional arts practices and festivals have attracted increasing and diverse attention in the European context since policymakers discovered 'culture' as a resource in the 1980s (see, e.g., Kilday 1998 ). Their impact on their respective communities of practice, modes of production and exchange value in contemporary European society is under the spotlight from various angles within the newly emerged fi eld of 'festival studies', which is deeply connected to policy issues (Frost 2016 ). However, much of this interest is instrumentally concerned with revenue potential, leaving key concepts, such as heritage, identity and indeed Europe, defi ned in rather vague and often contradictory terms (Kockel,

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The co-creation (of) culture? The case of Umeå, European Capital of Culture 2014

Cited by 14 publications

References 19 publications

Reading relationally: a proposal for relational-comparative research concerning city/capital of culture events

Reading relationally: a proposal for relational-comparative research concerning city/capital of culture events

Barrio Matadero-Franklin, de mercado popular a barrio artístico-cultural: conservación y capitalización, a través de turismo creativo y co-creación

Heritages, identities and Europe

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