Seni Tradisi Dan Kreativitas Dalam Kebudayaan Minangkabau

Hidayat, Hengki Armez; Wimbrayardi, Wimbrayardi; Putra, Agung Dwi

doi:10.24036/musikolastika.v1i2.26

Cited by 25 publications

(23 citation statements)

References 2 publications

Supporting

Mentioning

Contrasting

Unclassified

Order By: Relevance

“…This expertise was outlined in the form of "rangkiang", "taratai" and "pucuakrabuang" motif. This reflects that the Minangkabau people hold the philosophy of "Alam Takambang Jadi Guru" (developing nature becomes teacher), meaning that all sources of knowledge and human behavior refer to nature, everything is learned by observing and looking at "Alam" (nature) (Hidayat et al, 2019). Likewise, as a Minangkabau person, Hamdan Thawil always studies "Alam" to produce Bansi which has its own philosophical meaning as the identity of his unique handiwork.…”

Section: Financial Resources Factormentioning

confidence: 99%

Bansi Organology: Minangkabau Wind Instrument Production of Hamdan Thawil in Padangpanjang

Hidayat

Yensharti

Saaduddin

2020

jousa

Self Cite

View full text Add to dashboard Cite

This research examines the production process of making Minangkabau wind instrument, Bansi, produced by Hamdan Thawil. This research began by observing the stages of making Bansi, then about production factors that affect the production process. The results of this study include; 1) the selection and processing of raw materials, 2) the use of tools, 3) the manufacturing phase of Bansi and the factors of production; 1) natural resource factor, 2) human resource factor, 3) capital resource factor and 4) expertise/ skill factor. The research was conducted with a case study approach and using qualitative methods. Data collection techniques were carried out using participatory observation, interviews, documentation, and triangulation. Organologi Bansi: Alat Musik Tiup Minangkabau Produksi Hamdan Thawil di Padangpanjang. Penelitian ini mengkaji proses produksi pembuatan alat musik tiup Minangkabau, Bansi, produksi Hamdan Thawil. Penelitian ini dimulai dengan mengamati tahapan pembuatan bansi, kemudian tentang faktor-faktor produksi yang mempengaruhi proses produksi. Hasil penelitian ini meliputi; 1) pemilihan dan pengolahan bahan baku, 2) penggunaan alat, 3) tahap pembuatan bansi dan faktor produksi; 1) faktor sumber daya alam, 2) faktor sumber daya manusia, 3) faktor sumber daya permodalan dan 4) faktor keahlian/keterampilan. Penelitian dilakukan dengan pendekatan studi kasus dan menggunakan metode kualitatif. Teknik pengumpulan data dilakukan dengan observasi partisipatif, wawancara, dokumentasi, dan triangulasi.

show abstract

Section: Financial Resources Factormentioning

confidence: 99%

Bansi Organology: Minangkabau Wind Instrument Production of Hamdan Thawil in Padangpanjang

Hidayat

Yensharti

Saaduddin

2020

jousa

Self Cite

View full text Add to dashboard Cite

show abstract

“…Masyarakat Minangkabau memegang falsafah Alam Takambang Jadi Guru (belajar dari alam), maksudnya adalah setiap sumber pengetahuan dan perilaku manusia mengacu pada alam, segala sesuatu dipelajari dengan mengamati dan memperhatikan tanda-tanda alam (Hidayat et al, 2019). Tentu saja dari falsafah "alam takambang jadi guru" kita dapat berpikir dan bertanyatanya adakah penerapan falsafah tersebut dalam kesenian khususnya musik tradisional Minangkabau.…”

Section: Pendahuluanunclassified

Jejak falsafah Alam Takambang Jadi Guru dalam repertoar musik tradisional Minangkabau

Sari

Syeilendra

Hidayat

2023

View full text Add to dashboard Cite

Alam Takambang Jadi Guru merupakan falsafah yang melandasi cara berpikir masyarakat Minangkabau. Falsafah ini juga sebagai norma-norma adat dan turunannya untuk menjalankan kehidupan yang diatur dalam adat Minangkabau. Jejak Alam Takambang Jadi Guru atau "segala sesuatu yang ada di ‘alam’ dapat dijadikan guru" terlihat jelas dari penggunaan kata-kata yang berasal dari “alam” (sifat, tumbuhan, hewan, benda, tempat dan kegiatan maupun peristiwa atau kejadian) sebagai bagian dari norma adat yang mengatur setiap tindakan masyarakat Minangkabau baik individu maupun kelompok. Penggunaan kata maupun tutur yang merujuk kepada “alam” dalam setiap falsafah dan norma adat mengacu pada makna kiasan, sehingga falsafah dan norma adat tersebut mampu untuk memunculkan arti serta maknanya. Filosofi Alam Takambang Jadi Guru juga berdampak pada kesenian khususnya musik tradisional Minangkabau. Hal ini terlihat dalam syair dendang dan penamaan repertoar-repertoar musik tradisional Minangkabau. Penelitian ini bertujuan untuk melihat sejauh mana falsafah Alam Takambang Jadi Guru digunakan dan bagaimana munculnya dalam kesenian ksususnya musik tradisional Minangkabau sebagai representatif dari falsafah itu sendiri. Metode yang digunakan pada penelitian ini adalah kualitatif deskriptif dengan pendekatan fenomenologi. Pengumpulan data dilakukan dengan teknik wawancara, observasi serta studi literatur. Hasilnya adalah ditemukannya beberapa repertoar kesenian tradisional Minangkabau dengan menggunakan kata maupun tutur yang merujuk kepada “alam” sebagai jejak dari falsafah Alam Takambang Jadi Guru. Nama maupun tutur tersebut hadir dalam repertoar-repertoar musik tradisional Minangkabau yang sesuai dengan interpretasi masyarakat Minangkabau dalam melihat fenomena “alam”. Alam Takambang Jadi Guru is a philosophy that underlies the way of thinking of the Minangkabau people as customary norms and derivatives to carry out a life regulated in custom. The traces of Alam Takambang Jadi Guru, or "everything in nature can be used as a teacher", is seen from the use of words derived from “nature” (Characteristic, plants, animals, objects, places and activities or events) as part of customary norms that regulate every action of the Minangkabau community both individuals and groups. The use of names and speech that refer to "nature" in every philosophy and customary norm refers to figurative meanings so that these traditional philosophies and standards can bring out their meanings. The Philosophy of Alam Takambang Jadi Guru also impacts art, mainly traditional Minangkabau music. This can be seen in the dendang poetry and the naming of traditional Minangkabau music repertoire. This study aims to know the extent to which the philosophy of Alam Takambang Jadi Guru is used and how the emergence in the arts, especially Minangkabau traditional music, represents the philosophy itself. The method used in this study is descriptive qualitative with a phenomenological approach. Data collection is carried out by interview, observation and literature study techniques. The result was the discovery of several repertoires of traditional Minangkabau arts using words and words that refer to "nature" as traces of the philosophy of Alam Takambang Jadi Guru. The name and speech are present in the repertoire of traditional Minangkabau music following the interpretation of the Minangkabau people in seeing the phenomenon of nature.

show abstract

“…Selain terinspirasi dari kegiatan masyarakat dalam mengerjakan sawah, beliau juga terinspirasi dari gerakan peniruan alam sekitar karena prinsip Syofyani yaitu "Alam Takambang Jadi Guru" yang dalam Bahasa Indonesia artinya Alam yang terhampar menjadi guru. Hal ini sejalan dengan Hidayat yang menyatakan bahwa masyarakat Minangkabau memegang falsafah "Alam Takambang Jadi Guru" (Hidayat et al, 2019). Dan gerak Injak Kaco (menginjak pecahan kaca) pada tari ini juga terinspirasi dari tradisi pesta Panen di Kabuaten Agam, dimana ada satu orang yang sudah biasa menginjak kaca pada saat perayaan pesta Panen.…”

Section: Asal-usul Tari Piriang DI Ateh Kacounclassified

Estetika Tari Piriang di Ateh Kaco Karya Syofyani Pada Sanggar Syofyani Kota Padang

Adela Rosyadi,

Desfiarni

2022

Jurnal Sendratasik

View full text Add to dashboard Cite

This study aims to reveal and describe the aesthetic value of the Piriang Dance at Ateh Kaco by Syofyani at the Syofyani Studio, Padang City. This type of research is qualitative research using a descriptive method. The main instrument in this study is the researcher himself and is assisted by supporting instruments such as writing instruments, photo cameras and audio conversion tools. This type of data uses primary data and secondary data. Data collection techniques were carried out employing library research, observation, interviews and documentation. The steps to analyze the data are data reduction, data display, and conclusion verification. The results showed that the form in terms of shape and arrangement of the main elements (motion) consisted of the name of the motion and the description of the motion. From the shape of the supporting elements, the shape and arrangement are that the floor pattern is formed by the formation of dancers. Broadly speaking, there are two-floor patterns, namely straight line patterns such as trapezoid, vertical, and horizontal, and curved lines such as making a circle. This dance is usually danced by nine dancers, namely four male dancers and four female dancers, plus one dancer to steps on the kaco. Weight in dance consists of atmosphere, ideas or ideas, and like. Three elements play a role in performing arts, namely talent, skills, and means of media.

show abstract

Seni Tradisi Dan Kreativitas Dalam Kebudayaan Minangkabau

Cited by 25 publications

References 2 publications

Bansi Organology: Minangkabau Wind Instrument Production of Hamdan Thawil in Padangpanjang

Bansi Organology: Minangkabau Wind Instrument Production of Hamdan Thawil in Padangpanjang

Jejak falsafah Alam Takambang Jadi Guru dalam repertoar musik tradisional Minangkabau

Estetika Tari Piriang di Ateh Kaco Karya Syofyani Pada Sanggar Syofyani Kota Padang

Contact Info

Product

Resources

About