“…Sebagai isteri seorang perempuan mencintai suami, memberikan motivasi, dan mendampingi. Perempuan dalam karya sastra ditampilkan dalam kerangka hubungan ekuivalensi dengan seperangkat tata nilai marginal, tersubordinasi, stereotip, sentimentalitas, perasaan, dan spritualitas (Hayati, 2012). Bagi suku Jawa istri lebih banyak berperan pada pengasuhan anak dan masalah keuangan dalam rumah tangga (Putri, Dyah P.K., dan Sri Lestari, 2015:72).…”
One of the female phenomena which was authored by the authors short stories in Media Indonesia is the narrative of oppressed women. The purpose of this study is to explore the image of women in short stories in the Media Indonesia. This research is descriptive qualitative research that focuses on the image of women. The approach used in this research is the feminism approach. The data were analysis techniques using heuristic and hermeneutic techniques. The results of the study indicate that there are various negative treatments experienced by women. The author used the short stories as a representation of their images through the Media Indonesia daily. Women's image is manifested in the form of physical image, psychic, helpless, resigned to the situation, housewife, loyalty, child guard, domestic, husband's companion, and social.
“…Sebagai isteri seorang perempuan mencintai suami, memberikan motivasi, dan mendampingi. Perempuan dalam karya sastra ditampilkan dalam kerangka hubungan ekuivalensi dengan seperangkat tata nilai marginal, tersubordinasi, stereotip, sentimentalitas, perasaan, dan spritualitas (Hayati, 2012). Bagi suku Jawa istri lebih banyak berperan pada pengasuhan anak dan masalah keuangan dalam rumah tangga (Putri, Dyah P.K., dan Sri Lestari, 2015:72).…”
One of the female phenomena which was authored by the authors short stories in Media Indonesia is the narrative of oppressed women. The purpose of this study is to explore the image of women in short stories in the Media Indonesia. This research is descriptive qualitative research that focuses on the image of women. The approach used in this research is the feminism approach. The data were analysis techniques using heuristic and hermeneutic techniques. The results of the study indicate that there are various negative treatments experienced by women. The author used the short stories as a representation of their images through the Media Indonesia daily. Women's image is manifested in the form of physical image, psychic, helpless, resigned to the situation, housewife, loyalty, child guard, domestic, husband's companion, and social.
“…Antologi tersebut diakui sebagai antologi cerpen terbaik nasional, versi Badan Musyawarah Kebudayaan Nasional setahun setelah ia terbit, antologi ini minim perhatian penelaahan kritis. Adapun kajian yang menyinggung Cerita dari Blora baru sebatas memberikan interpretasi dari kaca mata feminis (Hayati, 2012 Tujuan makalah ini adalah menelaah hubungan bahasa-makna, dengan memandang kognisi, yang membangun suatu representasi adegan referen atas cerpen Pram di kepala pembaca. Makalah ini memandang pembahasaan lekatlekat dalam menawarkan interpretasi yang menggunakan prosesi tekstual semiotika kognitif.…”
Section: Pendahuluanunclassified
“…Beberapa hal bisa disampaikan di sini. Pertama, model situasi yang ditawarkan di sini minim hubungan dengan fenomena-femona dalam feminisme, meski terdapat kesan yang bersinggungan dengan konteks pemikiran tersebut (bandingkan dengan Hayati, 2012). Memperjelas lebih jauh lagi, meskipun ada gejala fenomena yang bisa dipermasalahkan secara feministik, dalam makalah ini gejala tersebut jadi tidak kentara bila mengingat model situasi yang ada.…”
<p><em>Abstrak</em> - <strong>Meskipun Pramoedya Ananta Toer telah dianggap penulis fiksi prominen di lingkup kesusastraan, ternyata salah satu karyanya yang berprestasi (Cerita dari Blora) belum mendapat sorotan telaah sastra. Makalah ini mengambil satu judul cerpen dari antologi itu secara spesifik yaitu Yang sudah Hilang. Pertanyaaan yang dilontarkan di sini adalah bagaimana pembahasaan teks cerpen tersebut membangun representasi adegan referen atau model situasi. Prosesi teks semiotika kognitif digunakan di sini, khususnya prinsip moda kesadaran Chafe, untuk menghasilkan interpretasi yang memperhitungkan objektivitas dalam proses inferensial berbasis pengalaman pemaknaan. Sehubungan dengan hal itu saya berargumen pembahasaan dalam teks menghasilkan model situasi simulasi pengenangan masa lalu terfragmentasi secara introspektif dalam moda percakapan. Masa lalu yang dikenang terfragmentasi dan menghasilkan ironi dramatik. Model situasi tersebut kelihatannya lebih menampilkan elegansi Pram sebagai penulis yang bermain bahasa dan makna, ketimbang fenomena kontekstual yang terlalu lekat dengan subjektivitas.</strong></p><p><strong></strong><br /><strong><em>Kata Kunci</em> - </strong><em>Prosesi Teks Semiotika Kognitif, Model Situasi, Moda Kesadaran, Ironi Dramatic</em></p><p><strong></strong><br /><em>Abstract<strong> - </strong></em><strong>Despite the popularity of Pramoedya Ananta Toer as a promninent and controversial Indonesian literary figure, his prestigious short story anthology entitled Cerita dari Blora seems rather poorly understudied. By far, the existing literary criticism on this work provides highly contextual and subjective interpretation. This paper then is aimed to reading closely Yang Sudah Hilang, one of short story from the anthology. Question raised here is how does language of the text build representation of referent scene or situation model. This study uses cognitive semiotics text processing, an approach that takes account objective evidence and experientially-based inference. Conscious mode principle, proposed by Chafe (1994), is employed as theoretical perspective in drawing interpretation. It is argued that language in the text built a situation model wherein protagonist is simultaneously memorizing her loss and telling to readers her fragmented past in conversational mode. Moreover, despite her introspection the protagonist does not seem aware what brings her to the present moment where she is already losing important people of her life. In general, the situation model argued may be offered as a standard interpretation of Yang sudah Hilang which is far from subjectivity and derived from meaning experience triggered by language.</strong></p><p><em><strong>Keywords</strong> - Cognitive Semiotics Text Processing, Situation Model, Conscious Mode, Dramatic Irony</em></p>
“…Also, based on a review of previous research on gender discrimination has been done before by researchers in Indonesia. Research relevant to this study is [20,21,22,23] The findings indicate that gender discrimination experienced by the female characters, namely marginalization, subordination, stereotyping, violence and workload.…”
This research is motivated by the phenomenon of gender discrimination experienced by women leaders who were targeted male sex object. This novel depicts a strong female figure, brave commanding and so on. However, women are still the object of violence by men. This study aimed to describe gender discrimination in Novel Biru Creation Fira Basukiin the form of marginalization, stereotypes, and violence. The research is a qualitative descriptive method. Sources of data in this study are novel Biru Creation Fira Basukiwhich consists of 340 pages. The results of this study indicate that gender discrimination in the novel Biru 17 data consists of marginalization, stereotypes, and violence. It can be deciphered. First, the form of marginalization of gender discrimination found as many as two data. This is reflected in the characters Gloria are marginalized by their parents so exiled from his family. Second, gender discrimination in the form of stereotypes found as many as eight data. This is illustrated in the figure as the Singapore women SPG (Sarong Party Girl) who likes to hook Caucasians and marry her. Third, gender discrimination violent form found as many as seven data. This is reflected in the characters Gloria getting physical violence on her body that is raped by four men on the way to his house.
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