2013
DOI: 10.1017/s1755773913000143
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Recognition, feelings of injustice and claim justification: a case study of deaf people's storytelling on the internet

Abstract: This paper argues that Honneth's theory of recognition opens promising venues for exploring the role of emotion in politics, particularly when issues of injustice are at stake. While endorsing Honneth's view that 'feelings of injustice' are an important source for intelligibility of injustice, and that disadvantaged individuals need to build a 'shared interpretative framework' in struggles for recognition, this article contends that a more nuanced account of discursive justification is required to deal with di… Show more

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Cited by 15 publications
(5 citation statements)
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References 35 publications
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“…Whilst Deaf scholars today may challenge that process as a reproduction of the dominant hegemony through the requirement for Deaf stories in signed languages to be seen in a written language (O'Brien and Emery, 2014), at the time their publication was an act of resistance, in challenging those other books ‘about’ Deaf people and creating rich counter-narratives. As Maia and Garcêz (2014: 366) note in their study of deaf storytelling on the internet: telling stories to a wider audience is a way to sensitize people who have different experiences, so that they may understand the harm and oppression that others have gone through … Narratives, thus, unfold specificities that need to be recognized.Such a specificity emerging over the past 20 years within Deaf communities and scholarship is an emphasis on Deaf diversity and a resistance to the common representation of Deaf sign language users as predominantly white, heterosexual, able-bodied people living in the developed nations of the world ( e.g. Fernandes and Myers, 2010).…”
Section: Resistance Narratives and Narrative As Resistancementioning
confidence: 87%
“…Whilst Deaf scholars today may challenge that process as a reproduction of the dominant hegemony through the requirement for Deaf stories in signed languages to be seen in a written language (O'Brien and Emery, 2014), at the time their publication was an act of resistance, in challenging those other books ‘about’ Deaf people and creating rich counter-narratives. As Maia and Garcêz (2014: 366) note in their study of deaf storytelling on the internet: telling stories to a wider audience is a way to sensitize people who have different experiences, so that they may understand the harm and oppression that others have gone through … Narratives, thus, unfold specificities that need to be recognized.Such a specificity emerging over the past 20 years within Deaf communities and scholarship is an emphasis on Deaf diversity and a resistance to the common representation of Deaf sign language users as predominantly white, heterosexual, able-bodied people living in the developed nations of the world ( e.g. Fernandes and Myers, 2010).…”
Section: Resistance Narratives and Narrative As Resistancementioning
confidence: 87%
“…Underprivileged people frequently narrate personal experiences to politicize their situation, making different forms of domination visible (discrimination, exclusion, exploitation, etc.) as to facilitate consciousness-raising (Young, 2000;Maia, 2012Maia, , 2014Maia and Garcêz, 2014;Johnson et al, 2017). When searching for solutions, people can also vocalize stories as to identify otherwise obscure causal mechanisms or reveal the moral complexity of certain problems, particularly when rights are not assured or specific policies are unavailable (Steiner, 2012;Maia, 2014;Polletta and Gardner, 2018).…”
Section: Functions Of Reasons and Storiesmentioning
confidence: 99%
“…Além disso, o quadro de interpretação intersubjetivo (HONNETH, 2003;MAIA, 2014), como substrato das ações coletivas, depende desse ajustamento interno em que os sentimentos de injustiça e os sentidos de justiça são permanentemente constituídos e compartilhados. Dessa forma, os usos do grupo no WhatsApp e as interações que nele ocorrem certamente contribuem para esses ajustamentos, já que fazem parte da complexa teia de apropriações e práticas desses sujeitos em suas comunidades e no contexto social.…”
Section: Aprendizado Coletivo E Lutas Por Reconhecimentounclassified