2021
DOI: 10.35940/ijrte.e5172.019521
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Preventing Visual Plagiarism in Design Programs in Higher Education Institutions: The Case of Ahlia University

Abstract: Recently, the persistent problem in art and design programs in Worldwide universities are visual plagiarism. The main core values of academic institutions in general and Ahlia University is to produce graduates with not only good knowledge but also good values and high academic reputation that encourages intellectual and moral development promoting the image of their universities. Therefore, Ahlia university invests its efforts to create policies and procedures for text-based assignments to control originality… Show more

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Cited by 2 publications
(2 citation statements)
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“…The intellectual property rights of digital image works are mainly embodied in the use of image color, composition, and artistry of expression. The artistic plagiarism of digital image works is regenerative [4]. Like other forms of digital works, the identification of regenerative plagiarism is obviously difficult, and the identification of regenerative plagiarism is even more difficult because the artistry of the work cannot be accurately described.…”
Section: Introductionmentioning
confidence: 99%
“…The intellectual property rights of digital image works are mainly embodied in the use of image color, composition, and artistry of expression. The artistic plagiarism of digital image works is regenerative [4]. Like other forms of digital works, the identification of regenerative plagiarism is obviously difficult, and the identification of regenerative plagiarism is even more difficult because the artistry of the work cannot be accurately described.…”
Section: Introductionmentioning
confidence: 99%
“…Visual plagiarism in art and design is considered more challenging to identify compared to textual plagiarism (Assali & Attiya, 2021) since it primarily occurs in visual works such as drawings, three-dimensional models, audio, video works, sculptures, sketches, and images. The analysis of various attitudes towards the borrowing issue in contemporary visual works (photographs, graphics, diagrams, tables, logos, sketches, paintings, projects of various scales, digital illustrations, collages, videos, animations, etc.)…”
Section: Main Research Materialsmentioning
confidence: 99%